Dear God… (the stick turned blue)

by Toni McGee Causey


Dear God, Universe, or Elves (I am covering all bases, I cannot afford to be picky here):

The stick turned blue. I’m 19. And a half. The stick turned blue. I think my brains just leaked out of my ears because THE STICK TURNED BLUE. It cannot turn blue. I only had sex once. Okay, maybe twice. That’s in base 200. Or something. (Shut up, I am an English major, we’re not expected to know higher math.)

Is this like… trial-sies? Practice run? Just to see how good my adrenal system works because let me reassure you right now, IT WORKS JUST FINE, though I think my neighbors might need a hearing aid after all the shrieking died down.

Signed,
Seriously, you’re kidding, right?

 

Dear God, Universe, or Elves:

This is pregnant? This can’t stand to move morning sickness bloated pasty can’t fit into anything anymore look like a whale and where the hell is my GLOWY feeling? What? Were you out of Deep Fried Crazy Hot for the highs this summer and thought you’d just go ahead and substitute Miserable Seventh Level Of Hades and thought I wouldn’t notice?

Signed,

So very not happy with you right now.

 

Dear God, Universe, or Elves:

It’s a boy. Two-and-a-half weeks overdue. GET HIM OUT GET HIM OUT GET HIM OUT GET HIM OUT GET HIM OUT.

Signed,

Hate you and your shoes.

 

Dear God, Universe, or Elves:

HE CAN STAY IN, I swear, I will shut up, forever, please do not make me have to OHMYGODTHATHURT. If I die and there is a heaven, I am bringing a LEAD BASKETBALL and you’d better not bend over.

Signed,

Never having sex again, ever.

 

Dear God, Universe, or Elves:

Wow. I just… wow. He’s perfect. Unbelievably perfect. And just… wow. Who knew?

Signed,

Okay, you’re forgiven.

 

Dear God, Universe, Or Elves:

Oh, damn. How am I supposed to know what to do? How am I not going to break him? I don’t know enough. Maybe when I’m forty. Or fifty. Maybe. I am so going to screw this up.

Signed,

What the hell were you thinking, trusting me?

 

Dear God, Universe, or Elves:

Um, I hate to mention this, but there is one SERIOUS flaw in your design here. WHERE IS THE OFF SWITCH? I’d like to be able to shower, five minutes. Five. I don’t think that’s too much to ask.

Signed,

So bringing my stinky self to your doorstep in about three seconds if you don’t FIX THIS.

 

Dear God, Universe, or Elves:

My husband came home and heard me arguing with our two-year-old and took me aside and said, “You’re the adult. You have to outsmart him.”

The sad thing is, I’M TRYING TO.

Signed,

Send brains. Quick.

 

Dear God, Universe, or Elves:

Okay, I get the whole “have sex, can get pregnant” thing, you can’t fool me. And okay, I’m not wholly surprised that I look like I ate an entire football stadium, but they just told me they expect this one to be over nine pounds. NINE. That’s like giving birth to a TWO MONTH OLD. WITH TEETH. Why not just go ahead and shoehorn in a COLLEGE GRADUATE while you’re at it. Maybe you’ve got a couple of missing OCEAN LINERS from the Bermuda triangle you don’t know what to do with; you can just SHOVE THEM IN MY UTERUS, I DON’T MIND.

Signed,

I hope your hair falls out.

 

Dear God, Universe, or Elves:

That was really freaking EVIL of you, playing that “cutest kid on the planet” card, twice in a row. It gets easy after this, right?

Signed,

Delirious.

 

Dear God, Universe, or Elves:

Look, I know you’re really busy with all that famine and war and mythical alternate universe of Reaganomics and Wham!, but if you could just take a couple of seconds out of your busy schedule? Because my kids are infected with the HE’S TOUCHING ME HE’S LOOKING AT MY STUFF OH WOE!!!! disease. How much trouble will I be in if I duct tape them together?

Signed,

Duct Tape On Sale Now

 

Dear God, Universe, or Elves:

He’s never going to forgive me for wrapping him in multiple rolls of aluminum foil to turn him into the Tin Man for Halloween, is he? Or the eighteen blocks I made him walk (while re-wrapping him) because we were going to trick-or-treat and we were going to BY GOD HAVE FUN, DAMMIT. I’m still going to hear about this when he’s twenty-five, aren’t I?

Signed,

Seriously thought about tying the bathroom rug around him for “lion fur”–he doesn’t know how lucky he is.

 

Dear God, Universe, or Elves:

They are sticking a needle in my four-year-old’s back. A needle. They are holding him down in the other room, and he is screaming. They made me leave, because he was lunging for me and he’s supposed to be absolutely still.

I just sat across from one of my childhood friends. She’s our pediatrician now, and one of the smartest people on the planet. We made mud pies together when we were five and six years old. We even managed to sell them (well, she did, she is that smart).

I never dreamed I would be sitting across from her one day and that she would have to say, “meningitis.” That the words “risks” and “death” and “possible brain damage” and “spinal tap” and “could paralyze him” would float, jumbled, over the space between us, that we’d ever talk about the fact that she had to stick a needle in my son’s back. A pediatric emergency.

She is sending me to the ER. I’m carrying him (passed out), while my oldest son is clutching his brother’s spinal fluids in some sort of glass flask, and I’m supposed to drive to the ER, because we do not have time for an ambulance.

She said to try not to stop for red lights. I CANNOT BREATHE right now, and there is no oxygen going to my brain and I CANNOT STOP FOR RED LIGHTS.

I don’t care what it takes, do it to me, not him. I will give you anything. I will give you everything. Just do not do this.

Signed,

begging.

 

Dear God, Universe, or Elves:

Four days later, and his brother and he are making a slide out of the hospital bed’s mattress.

It is the most beautiful thing I have ever seen.

Signed,

thank you.

(your hair grew back in nicely, by the way)

 

Dear God, Universe, or Elves:

The oldest is fifteen, and in this state, he can legally drive. HAVE YOU FREAKING LOST CONTROL OF THE UNIVERSE, OR WHAT? How in the world am I supposed to let him drive? I can barely keep from hurling myself in his path to keep him safe while he’s WALKING AROUND, BREATHING AIR, dammit. I have tried to remember that they are supposed to grow up to be independent, strong men. I have tried to remember to reinforce their decision-making skills. But this is just asking TOO DAMNED MUCH. It’s too soon.

Signed,

Where is the time machine? 

 

Dear God, Universe, or Elves:

ANY PHONE CALL THAT STARTS WITH “Mom, I’m okay, DON’T WORRY,” is NOT GOING TO BE GOOD, I don’t care HOW earnest you make them sound.

Signed,

Like I am that easily fooled. Ha.

 

Dear God, Universe, or Elves:

I sat on the floor in the hallway today where I could see into the door of each of their rooms. They are empty, now, of boy stuff. One is an exercise room, and one a guest bedroom.

I did not break them. I screwed up. A lot, sometimes. I got self absorbed and busy and short tempered. I lost confidence and lost my way, but I did not break them. I remember the smiles, the laughter, the tooth fairy, the Christmas mornings, the late night talks. There were baseball games, wrestling tournaments, graduations and hysterically funny meals. I remember tears and heartache and not knowing if just loving them more than breathing was going to be enough. I remember too many close calls where it seemed like it might not be. But they are funny and smart and good hearted men. They have (mostly) outgrown the HE’S TOUCHING ME HE’S LOOKING AT MY STUFF OH WOE!!!! disease, and so get along pretty amazingly well. They make me laugh and surprise me and are fascinating people. They are kind. They treat people well, and they not only love deeply, but they are loved deeply in return. They are both the kind of men who, if I just met them somewhere, I’d like them tremendously. They have started families. Wonderful women I’m so lucky to have in our family. A granddaughter (the most beautiful, happy baby in the world).

You did not tell me when you gave me that blue stick that you were giving me my heart. You did not tell me that you were giving me everything that mattered.

Dear God, the stick turned blue.

THANK YOU.

Signed,

toni, a mom.

~*~

CONTEST: just stop in and say HI or wish someone a happy mother’s day (your mom, someone else’s, doesn’t matter) OR tell me what did you do to drive your mother batty?

Remember, it’s CONTEST MONTH — every commenter on today’s post will be eligible for a signed copy of BOBBIE FAYE’S VERY (very, very, very) BAD DAY as well as a hot-off-the-press, not available in the stores ’til the end of the month BOBBIE FAYE’S (kinda, sorta, not exactly) FAMILY JEWELS. Winner from this week to be announced on next Sunday’s blog.

WINNER FROM LAST WEEK — Angelle! (wow, you ALL were SO FREAKING AMAZING) — thank you for all of the comments. I put all of the names in a hat and my neighbor got conscripted to choose. So Angelle, email me at toni [dot] causey [at] gmail [dot] com with your address and I’ll get your signed copies mailed out to you this week!

 

Parents and the dreaded arts

by Alex

We all remember what weekend this is, right? I got a kick out of seeing the woman at the counter at my gym yesterday – slyly wishing all the men who stopped by a Happy Mother’s Day weekend and watching fully a third of them stop in their tracks with an “Oh shit!” look. That woman knows how to have her fun, let me tell you.

I am sort of thinking that Toni will have a great Mother’s Day post because she both has and is a mother, so I will sort of work around the topic in a different way, because this has come up for me lately.

I often find myself being confided in by young aspiring authors that their parents don’t approve of their aspirations. Well, we all know that feeling, don’t we? Certainly there are some parents who do encourage art as a living (and some of them are scary, see “stage mothers”). Nepotism is a fact of life in Hollywood, and successful film actors, producers, writers, directors, have no qualms about encouraging their offspring toward the family business.

But that’s pretty much the size of it – “the family business.” That’s one aspect of the arts as a profession that makes other, non-artistic parents quail at the idea of little Johnny or Janey trying to write, or act, or paint for a living. For centuries, millennia, children were taught the trade their parents were in, and that’s the way it was, and largely still is.

There’s much more resistance than that going on, usually. And I try to tell these young writers that they’re not alone – no parents in their right minds really want their kids to go into the arts, because it’s so hard, and unstable, and financially shaky. I think parents just know that on a genetic level, and because they love us, they gently or not so gently try to steer us away.

And then on another level, some parents might not approve because, well, we’re all gypsies, tramps and thieves, not to mention homosexuals.

And then maybe on another level, some parents might resist the idea because deep down, they always had some aspiration… but adults just don’t DO that kind of thing, so they didn’t, and neither should you.

So there’s all kinds of STUFF going on that might make parents not so very supportive of the young artist.

So what do you tell these young aspirants whose parents are less than supportive?

Well, I tell them what I did, with my parents. I just didn’t make a point of telling them what I was doing. I didn’t lie, exactly, but let’s just say I left out a lot. I didn’t declare my major until I was a senior in college and I didn’t let on how much theater I was doing.

I think those of us who are driven to do this THING that we do figure out how to work the angles pretty early on. And just as I get confided in by young, aspiring authors, I get confided in by people in mid-life who say that they always wanted to write, but their parents were not supportive (sometimes that’s to say the least), and they’re now in a morass of regret that they didn’t pursue the dream. For those people I write down this Bernard Malamud quote: “We have two lives – the one we learn with and the life we live after that.”

And then I tell them that a lot of authors I know didn’t write their first book until after they were 40.

But I keep their stories in mind when I talk to the younger ones and tell them – “You don’t want to end up regretting anything because you were afraid to try.”

I know there’s a lot of pain involved for artists who aren’t encouraged and supported in their passion by their parents – but it’s the evolutionary imperative not only to separate from our parents, but to transcend them. That IS evolution.

And there’s a lot of joy when your parents finally realize: My God, she really is making a living at this, we’re not going to have to support her for the rest of our lives.

And let’s face it – that’s a pretty legitimate fear – I don’t blame parents a bit for THAT one.

And you know what? As a writer I use lessons my parents taught me every single day of my life. They taught me to love work, and do the work I love (even though they weren’t exactly intending it be THIS work) – because, they said, work is what most of your life is. They took me and my sister and brother to about a million museums and concerts and plays and taught us to love art, and along with loving it, they taught us to analyze it. Mom will talk to ANYONE – I grew up seeing her start conversations on the street, in a restaurant, on a pier – with anyone and everyone, and you better believe I use that skill every day of my life as a writer. And they both just assumed that I could do anything a boy could, only better, and so despite all the messages girls get from the world about what they can and can’t or should and shouldn’t do, I had my parents’ faith that yes, I damn well could.

My point is, if you’re an artist, your parents are preparing you for a life and career as an artist, whether or not it looks that way on the surface. They give you gifts that will MAKE you the artist you are. It’s up to you to find those gifts, and use them.

Here’s my most treasured gift from my mother. Remember all those art museums I told you she dragged me to (yes, at the time, it was dragging…)? She told me very early on – “I want you to be able to see artistically – not just art, but the whole world around you. Because if you can see the world around you aesthetically, you will always find pleasure, wherever you are, whatever your circumstances.”

Now that – is beyond rubies.

This is the weekend to think about it, so what are some of the gifts you got from your parents? Were they supportive of your artistic aspirations? Did it matter? As a parent, how do you feel about the idea of your child going into this godforsaken business? 😉

And Happy Mother’s Day and THANK YOU to all the mothers.

Maximizing Shortcomings

by J.T. Ellison

Many of our topics revolve around the strength of our characters. We talk about the things that give characters the ability to persevere, to walk in the face of danger, to throw caution to the wind, to put other’s lives and freedoms before their own. These are all wonderful, admirable traits, and we all want our characters to have that selflessness.

But what really gives us a window into our character’s souls is what makes them weak.

One of my favorite "get to know you" questions I ask my characters when they’re in development is "What is your greatest shame?" I think we all have a secret or two that we’d like to keep to ourselves. It doesn’t mean it’s necessarily bad or evil, just something that we don’t want discussed at dinner. I want my characters to have those little secrets, the private motivations for their actions and the impetus for their personalities. Many times these background issues don’t make it onto the page in any discernible way. They are, for me, for my motivation.

There are many, many ways to show a character’s weakness. We fall back on the time honored ISSUE, addiction, all the time. Characters drink too much, drug too much, sleep around, smoke. These frailties sometimes border on cliché, and sometimes are done so seamlessly, so effectively that you notice only the character, not their weakness. For me though, it’s much more fun to look for the motivation, search out the underlying weakness, than be told.

There is a difference between a weakness and something that makes you weak. I was watching an episode of CSI where the storyline revolved around the fact that the entire team had the flu. Everyone sneezed, coughed and successfully looked bedraggled and miserable, to the point where I was thinking, okay, already, we get it. They are sick. Grissom is too important to allowed to stay home when he has walking pneumonia. Move along…

I remember a particular conversion on DorothyL a few years back, where one reader/reviewer adamantly refused to review a book where a character was sick. I’d never thought about it being an issue. When he made a fuss about it, I stepped back and took a look at what I was doing.

When I first started writing, Taylor wasn’t alive. She was strong, she was tough, she didn’t have any weaknesses or issues, nothing could stop her. And she was B.O.R.I.N.G. I didn’t want her to be an alcoholic, or have abuse in her past. She smoked, and that’s a weakness, but it wasn’t the right kind of weakness. I wanted her to be strong and unstoppable. I wanted her to be invincible. Goddesses of War don’t get caught up in impulse behavior.

But she needed something to make her relatable. So I gave her a cold.

And then DorothyL made it abundantly clear that having your main character sick is a no-no.

I thought it was humanizing. They thought it was annoying as hell, having to hear the sniffles and coughs and see the dirty tissues. I quickly realized they were right. Despite the reality that is Nashville, where 90% of the populace wanders about with red noses and thick voices from April to September, it wasn’t a good weakness to foist on my girl. She doesn’t need a physical weakness to make her real. Though I still catch myself giving her headaches a lot — which I take out in revisions. When Taylor is in a situation and starts rubbing her temples, I look closer at why she’s reacting that way so I can have something more illuminating in its place. It’s a shortcut, I’ve come to realize, to rely on an outside factor to show vulnerability.

So what to do?? How could I make her strong without being strident, fearless without being reckless, selfless without looking for congratulations, vulnerable without being weak? In other words, a living, breathing character?

Good question.

One I’m still working on. I trend toward showing Taylor’s weaknesses by hurting the people around her, forcing her to react.  It wasn’t until the third book that I hurt her directly, and by that time, she was primed and ready to fall apart. Did I allow her to? Well, I can’t give that away. But it is fun, in a sick, twisted way, to manipulate the emotions and feelings of imaginary people. I was never one for tearing the legs and wings off insects, but I like exploring my character’s darkness.

Physical and emotional weaknesses are tricky. Physical challenges — wheelchairs, stature etc. are obvious and hard to pull off. A detective in a wheelchair can’t exactly run down a suspect. A little person would be hard-pressed to tackle a six-foot three addict. But honestly, could a character with a cold do it either? As I write this, I’ve got a wicked, nasty SOMETHING. If someone were to break into my house right now and demand the goods, I’d just sneeze and wave them upstairs. There are definitely limitations when you have a sick character.

But emotionally sick characters are fascinating. Look at Dexter. We ALL love Dexter. And he’s a crazy serial killer who technically justifies his actions by following a code of ethics. But he is still a serial killer, who gets pleasure out of killing other people. Yet we root for him. I root for him. I even find myself strangely attracted to the character, which must signal something is very wrong in my head, or the author has done an utterly brilliant job of evoking emotion from me, the reader.

So here’s today’s questions. Where should we draw the line with our character’s weaknesses? When do you, the reader, throw up your hands at the overuse of addiction as a weakness? And who do you think pulls it off best?

Wine of the Week: 2004 Marchesi di Barolo Maraia Barbera Monferrato Soft and spectacular.

Information Overload

The greatest tool we as writers have in the early 21st Century for researching is the internet. By no means can it give us everything, but it certainly can get us going in the right direction. Before I go on a research trip, I spend several hours or even days looking up information on my destination so that when I arrive, I’m already ahead of the game and can concentrate on things that are more sense base (smell, touch, sound, taste).

I don’t know about you, but I have a ton of reliable bookmarks I use to help me in this research. So today I thought we’d do a little swap meet of sorts. Below are links to some of my favorite mainstream and offbeat web sources. Feel free to bookmark them for yourself if you don’t have them already. Then when you’re done add your own links in the comments that you think others would find useful.

So here we go!

BUSINESS/FINANCE
Yahoo Currency Converter

DICTIONARIES/WORD REFERNCE SITES
Webster’s Dicitonary and Thesaurus

Dictionary.com

Thesaurus.com

etymonline.com Online Etymology Dictionary.

Glossary of Architectural Terms

GENERAL
Wikipedia Always a great place to start any search. But make sure you get back up information, some of the entries are iffy at best.

BabelFish For your quick translation needs. Again, use a real native speaker for any actual translations you’ll put into your story!

AcronymFinder.com Unsure what that odd acronym means? No problem…just enter the letters and hit Find.

IMDB.com Need to know about the career of a particular movie star? Interesting in the credits to that movie you loved? This is the site used by the pros.

WebMD.com Look up that disease you want to give to your bad guy.

GEOGRAPHICAL/INTERNATIONAL
Airport Routing International Find out what airports are located where, their IATA codes, elevation, runway lengths, latitude and longitude.

International Telephone Country Codes

Weather.com

WHO – World Health Organization

The Lonely Planet Guides

GOVERNMENT RELATED
IntelligenceSearch.com Links to tons of international intelligence agencies.

FBI Guide for Writers

MEASUREMENTS

TimeAndDate.com – great source for everything time and…well…date related. World clocks, calendars for any year, moon calendars, daylight savings time dates, etc.

EH…MORBID?
FindAGrave.com Just like it says…looking for a grave? Find it here.

Obituary Central

MUSIC
KissThisGuy.com A catelog of misheard song lyrics. Fun stuff.

All Time Greatest Hits From 1944 up to the present day – just the facts, the top 20 lists.

NAMES
Fantasy Name Generator

Fake Name Generator

Company Name Generator

Your turn now. Share some of your favorites!

Guest Blogger Julia Spencer-Fleming (In Bed)


This morning, good friends and gentlepeople, it is my singular honor to have as Guest Blogger  the lovely, talented, and exceedingly cool Julia Spencer-Fleming. Y’all make her feel welcome.

Image0018_5

I’m taking Marcus Sakey
to bed tonight. Oh, I know what you’re thinking. “Julia, he’ll keep you up half
the night. When Morning Edition
switches on at 6am, you’ll feel like something the cat dragged through the bushes
backwards.” It’s true. But I just can’t help it. He was so good the first two
times, I can’t resist.

Besides, he was the one who sent me the ARC of Good People.

Imagegp_2

 

Usually, I try to avoid too much pulse-pounding action at
bedtime. My most frequent evening companionImageshortz_2
is Will
Shortz
, whose undemanding intellectual rigor–An adult elver? Intact, as in
a pharaoh’s tomb? Deco artist’s pseudonym?–lulls me into such a stupor that I
frequently bash myself in the face with the falling 50 New York Times Sunday Crossword Puzzles.

Sometimes when I settle down on my pillows and crack that
spine, it’s a first encounter. If your editor asked me to blurb you, I may
never have heard of you before taking you to bed. There’s an element of risk
involved. If you don’t hold my interest, I’ll have to put you down and go find
someone I know I can count on. I’m as good a sport as the next writer, but I
prefer, when possible, to pick my nighttime companions for pleasure, rather
than for business.

When stressed, I want a read I can rely on, and I’ll go back
to old favorites I can lose myself in time and again;

                                                                                                                                                          

Image003

Lois
McMaster Bujold
, Suzanne
Brockmann
, Jennifer Crusie, Robert
Heinlein
. You’ll notice none of them are known as mystery writers. That’s
because when the world begins to pile on, I want to lay back and be
entertained, not compare my performance with someone who might very well be
doing it better than me.

On book tour, I like to bring Lee Child along. Really, who wouldn’t? The
O’Hare connection was late, the bookstore only stocked seven paperbacks, the
library audience consisted of the Director’s mother and two maiden aunts; I
know once I crawl up onto that Hilton Serenity Bed with its Serta Suite Dreams
® mattress and five down pillows,

                                        Image005_8
                            

Lee will make all the bad things disappear. One memorable
night in Omaha, when I was rooming with Edgar finalist Denise Hamilton, I stayed
up until 3am, locked in the bathroom with a brand-new Lee Child, a towel rolled
against the bottom of the door to keep from waking Denise.

Once in a while, when I’m face-down in the latest manuscript,
writing eight-nine-ten hours a day, I don’t want to leave the world of Millers
Kill. I want to think about the characters, write about the characters, dream
about the characters. On those occasions, I turn to myself. Yes, I’ll read my
own books. What? It’s perfectly normal.

Image006_5
 

  One
thing’s guaranteed–I know I’m going to like it.

What about you, dear Reader? Who do you enjoy taking to bed?

Julia Spencer-Fleming’s Clare Fergusson/Russ Van Alstyne series has won
the Dilys, Agatha, Anthony, Macavity, Barry, Nero Wolfe and Gumshoe
Awards.

Her most recent accomplishment was having Putnam Editor-in-Chief Neil
Nyren, writing for some blog, say he expected to see her on the New York
Times Bestseller list. Her upcoming book, I SHALL NOT WANT, will be
published in June by St. Martin’s Minotaur. you can find out more about
her and her work at

www.juliaspencerfleming.com

Home Away From Home

By Louise Ure

(Sorry if you’ve tuned in to hear from Ken Bruen this Tuesday. We’re doing some rescheduling, and I’ve jumped in again.)

There have been a lot of hotel rooms in my recent past. A lot of minibars and scratchy TV images and windows that don’t open. But I had a chance to enjoy an especially fine hotel while at the Edgars this weekend, and I don’t mean the Grand Hyatt where all the festivities were held.

The Hyatt was fine, don’t get me wrong. They did about as good a job as a giant, faceless hotel chain can do. But there’s something wrong with the image when there’s a line of automatic check-in kiosks at the front desk but not one living hotel employee behind them.

No, my fine hotel experience was the luncheon at the Carlyle Hotel on 76th Street with my agent, Philip Spitzer.

Thecarlylejpeg

It’s always a joy to spend time with Philip anyway, but this one was special. You see, his son is a waiter in the Carlyle’s famous dining room, and he kept bringing over courses of things he thought we’d particularly enjoy.

Carlylediningroom

The ice tea gave way to an especially warming Pinot Noir. Our simple pasta lunch was augmented by a “Mille Crepe” dessert. (You’ve heard of Mille Feuille? The dessert with a thousand, thin puff pastry layers? Try it with a thousand paper-thin layers of crepe and surrounded by an intensely reduced raspberry sauce.)

It took us a full three hours to get past the stories, the news, the health updates, and the jokes and onto business. It was grand, made all the better by the surroundings.

The Carlyle fits almost squarely into the kind of hotels I prefer: older than 75 years and fewer than 75 rooms. (I have to cheat a little bit with the Carlyle as it has 187 rooms, but with its reputation as John F. Kennedy’s love nest and having Woody Allen drop by every Monday night to play in the bar, I’m willing to cut it some slack.)

I don’t always have the luxury of sticking to that 75/75 rule, sometimes for financial reasons and sometimes for scheduling, but here are a few more of my favorites:

Tucson

Tucsonroom

Lodge on the Desert, Tucson, Arizona

Begun as a private residence in 1936, The Lodge on the Desert has expanded to 60+ adobe bungalows set among eight acres of gorgeous desert landscaping in the heart of mid-town. I have written more of my best lines at dawn on my private patio there than any other place I’ve ever worked.

Pavillondelareine

Pavillon de la Reine, Paris, France

Opened in the 17th century, this place surely meets my “more than 75 years old” guideline. It also has the sweetest, most buttery croissants from room service — better than any other place in Paris. You’ll fall in love all over again.

Sorrento_2


The Sorrento, Seattle, Washington

At the top of the Madison hill, the 100-year old Sorrento offers gorgeous views of downtown Seattle. If you can tear your eyes away from the tea room or the Hunt Club on the first floor, that is. And they take dogs. Nuff said.

Bigsurbridge800

Ventana1

Ventana Inn, Big Sur, California

Okay, I’m cheating. Ventana Inn is only thirty-four years old. But it has only sixty guest rooms, so maybe it sort of averages out. Set on 243 acres on the cliffs above the Pacific Ocean, Ventana Inn is the place to make you forget your real life no matter how crazy it is. And you even get your own personal hammock on your porch.

Amandaridefault

Amandari_bath


Amandari, Bali, Indonesia

Okay, more cheating. This Ubud sanctuary was only built in the 1980’s, but when it’s this perfect, it still makes the list. Private bungalows with sliding walls that open to create instant ramadas. Private gravity-edge pools. Private outdoor sunken tubs where two Balinese beauties strew your bath with rose petals, wash you, dry you, and then massage you. This is your brain in Paradise.

Okay, ‘Rati. I need more suggestions. Do you know of any 75/75 hotels? I’m in a traveling mood.

PS: Here’s my favorite photo from the Edgar weekend, with thanks to Elaine Flinn for sharing it. I can attest that Ken’s arms are as warm as his words.

The_edgars_001_1

LU

A Look to the Future: Wanna Play?

by Pari

It’s the summer of 2010. Gas costs $8/gallon. Air fares have nearly doubled. Hundreds of thousands of books have been published. Hundreds of thousands more writers have published books themselves.

The American Booksellers Association has lost more than 50 percent of its membership. The biggest national bookstore chains have merged into one super corporation AND this new entity is now in the publishing business too. AND it’s only carrying its own products or those produced by "affiliates."

Sorry to be a bummer, man, but the landscape is changing.

When things look bleakest, I am an optimist. Maybe it’s my contrary spirit. I just don’t like being told that anything is all gloom and doom. In the middle of great change, great opportunity exists.

What will our brave new world of literary livelihood look like? With the millions of voices sure to be flogging their works in the near future — and doing it to a shrinking market — how will we writers continue to build careers, to make enough to send our kids to college or pay for that pesky root canal?

Believe it or not, I’m not upset or even worried . . . not yet.

My agent, who has been in the business for more than 20 years, talks about how people have bemoaned the demise of the industry, of books, for as long as he’s been selling manuscripts. Yet, books and the biz are still around.

I suspect that staying power will still be the name of the game. That, and sheer determination.

But I want my crystal ball to start working NOW! I want to find the mechanisms to meaningfully connect with potential readers even if I don’t travel to their neck o’ the woods. There must be new ways to engender that personal touch besides "Friending" or "Guesting on Blogs" (Virtual book tours, as they’re practiced today, are the same kind of thing).

Do you remember when acclaimed Canadian author Margaret Atwood came up with the LongPen? Everyone scoffed. Not so, now. Virtual book signings — real events with interactive video — may be the way of the future. They’d certainly be greener.

What about the authors who have managed to turn their websites into entire and vital communities? Charlaine Harris has done it. I met 16 of her fans who traveled from as far away as Texas to attend Malice Domestic this year. She’s got a message board and all kinds of conversations going with her fans. Now the fans are taking some of the load off of her, but she still visits and posts often.

Are there media out there that we haven’t ever discussed, only dreamed about, that may truly aid us all? What about holographic book tours? Why not? How about books you can talk with — and where the author answers back?

What else is out there — or might be — if we just let ourselves have fun and imagine?

Come on, jump in and let’s see what we can come up with. It’s time to have some fun.

random things I do not understand

by Toni McGee Causey


 

Random things I do not understand, but will somehow make it into a book:

Two men decided to move a meth lab through Baton Rouge. In their moment of brilliance, one of them must have turned to the other and said, "Hey, let’s move this highly flammable lab that can blow up." Wherein the other thought, "Why do it half-way? Let’s take the bumpiest interstate on the planet! I know! Let’s go through Louisiana!"

Saving spiders. I do not understand this. A friend of mine wrote a funny blog about the spider that was sort of taking over her bathroom, and I responded:

I had one in the kitchen once and I felt sort of bad (poor, lost spider, didn’t
mean to come inside) and I caught him in a glass jar. He wasn’t huge,
but was quite fuzzy-looking and I was curious so I got my trusty field
guide on spiders out (what do you mean, what field guide? you all don’t
have field guides? geez. I have a field guide for every critter around
here that can possibly slither in and/or eat me. I’d like to be able to
leave a coherent description of the culprit if I’m dying, thank you).
Anyway, so I check the trusty field guide and find its photo and the spider on there is
kinda fuzzy, but not as fuzzy as my spider, and
then I realize… my spider’s fuzziness is… moving. As in, separating. It
was like the Borg. There were more than 100 (I am not exaggerating)
baby spiders stacked up on Mom or Dad or Uncle Walt there and they
started leaping off and investigating the glass, which then made me
realize… if that spider hadn’t been under glass, all of those babies
would have been in my kitchen.

Now? I kill the damned spiders. I have a rule: you stay outside? you live. You cross that line? you die.

When they start paying they mortgage, they can make the rules.

I do not understand relationships where the women "let" the men do certain things as a reward for doing everything else they’re told to do, nor the men who let them. This particularly applies to those loud, well dressed reality based housewives shows where I think the point is to not only out bitch each other, but out maneuver their husbands, more than anyone else has done at the same time. But then I realized, I just must not have known the rules for using my Glittery Hooha (technical literary term there, as defined by Lani Diane Rich and explained by Jennifer Crusie). (For the romance world, that blog explains it best… and I want to know why two people fall for each other, no matter what genre.) (I love that blog and term.) (I know. I wrote about glittery hoohas.) (My mom has probably had a heart attack just now and when she wakes up, I am going to be in big trouble.)(Because this is the deep south and we do not admit in public that there are hoohas, no matter how glittery.) (There was a sale on parentheses.)

So, what do you not understand? Wide open, anything goes.

And starting today, every Sunday until my book release, end of this month, as in May 27th, I’ll be giving away two signed copies of both books — Bobbie Faye’s Very (very, very, very) Bad Day and book 2Bobbie Faye’s (kinda, sorta, not exactly) Family Jewels — to one of the commenters  (US/Canada), 18 years old and up. (Hey, there is cursing and murder and mayhem and sex, almost all at the same time. I am not getting in trouble here.) So post anything you do not understand in the comments and next Sunday, I’ll announce a winner… each Sunday for four weeks.

There’s more going on here…

by Alex

There was a great post by Nancy Martin and a whole slew of accompanying stories over at The Lipstick Chronicles this week about disastrous wedding experiences. Well, actually, humorous disastrous wedding experiences, which is why I decided not to contribute my own most bizarre wedding memory – it was just too dark. Maybe it’s the stuff I write (you think?) but out of the multitudes of weddings I’ve attended and participated in (I had EIGHT good friends get married within a year, egad – one of the reasons I keep putting that wedding thing off myself), all with lovely and funny and heartwarming stories galore, it’s this one particular incident that, well, haunts me, so much so that I didn’t want to invoke it and cast a pall over that happy thread.

So I thought I’d tell it here, where you all are, you know, used to me.

It was a gorgeous wedding at a club by the ocean. Rich father plus highly artistic bride and groom and highly artistic friends helping so everything was stunningly lovely with no expense spared. Great dance band, entertainment by friends, the bride in a gasp-inducing princess gown. Lovely, lovely, lovely, perfect in every way.

And then came the toasts. All touching, funny… until the FOB. Okay, he was drunk, but that’s not unsual in itself. But when he started to speak, an uneasy hush fell over the crowd. He was telling a story about the bride, and it was just – wrong, the whole sense of it. He said that when she was born, they thought she was autistic and the way he said it made it sound like there was no hope, so they’d never expected much from her anyway. (She is not impaired in any way, by the way – quite the opposite – beautiful, brilliant, talented, charming) We kept waiting for an upturn, a happy ending, even something remotely mitigating, but no. It was horrifying. More than just disturbing in the moment – it felt like – the moment in Sleeping Beauty when the evil fairy shows up at Princess Aurora’s christening and curses her. It felt – prescient.

I wish, really now I’ve wished a thousand times since then, that all of us, the couple’s friends, had stepped in like the good fairy to cast some kind of counter-spell, right there on the spot, wedding protocol be damned. But what? We were all too stunned to even move.

The couple’s first child was diagnosed with autism a few years after birth.

Now of course that story gnaws at me as a writer because of the fairy tale curse aspect of it – I’m completely obsessed with the theme. But it wasn’t just me – all of us who knew the couple knew that something large was going on there – something more than ordinary – a foretelling. It was a moment that ordinary reality seemed to stop and you got a glimpse into the future, or at least a possible future (which is why I so wish one of us at the time had been an experienced witch or yogi to perform some kind of counter-ritual or blessing).

And because of the book I’m writing (yes, STILL writing…@#$%^&) I’ve been thinking about that a lot recently – the moments when we get a glimpse into a bigger, deeper reality. You read enough about psychic events experienced by ordinary people, as I’ve been doing, and they’re all so very similar.

– The crisis apparitions, where a loved one is hurt or dying and appears in some way to a relative or mate at the moment of death, either as a full-fledged apparition or a signal, like a mirror shattering.

– The precognitive dreams: A young mother has a nightmare that her new baby is crushed to death when the light fixture above the crib falls – she wakes up screaming and runs in to the nursery where she finds the baby perfectly fine, sleeping soundly, but she takes the baby into bed with her and her husband – and two hours later they’re awakened by a crash from inside the nursery.

– The visitations from dead loved ones who have something to say about where your mother’s bracelet is or where the new will was filed.

– And of course the ordinary psychic things that happen all the time – the wife who dreams that there is another woman in bed with her and her husband – and discovers that he is, indeed, having an affair. The teenager who decides at the last second to take the left turn instead of the right, even though it will mean an extra five minutes getting to his friend’s house – and as he makes the turn he hears the screeching of brakes and a grinding of metal back there at that very corner.

Yes, yes – all these things can be explained as simple, ordinary perception. The young mother noticed subconsciously that the plaster around the light fixture was cracked and her dream warned her about a very real danger. The woman whose dead husband visits her in a dream to tell her where the bonds is remembering that her husband made that stop at a certain bank one day and her dream makes it her dead husband telling her so so that she’ll pay attention. The teenager registered that a car was driving too fast on that side street out of the corner of his eye. (I can’t as blithely explain how people see their loved ones at the EXACT moment of death, but I’m sure there’s someone out there who can debunk that one, too.)

But I think – reality is a lot more mutable than skeptics want to admit. And I’m not just talking about our perceptions and instincts and intuitions. I mean the whole of the universe gives us signs all the time.

The morning my grandmother died, I woke up and walked outside and the sunrise was just – surreal. The whole sky was flaming orange and red and pink – much more like deep sunset than the pallid pink of LA sunrises. The pecan tree in my back yard towered against that sky, and in the tree were hundreds, hundreds of cawing birds. It was earsplitting, mindblowing.

A half hour later I got the call.

When I look back at those moments that I knew something more than I realistically should have known, there is a heaviness to them, an import, a hyper-clarity – even a time-slowing-down quality. And so it seems to me – and it’s said by spiritual teachers – that if we all paid more attention all the time to these insights, synchronicities, we’d be able to see the signs all the time.

So that’s my spring resolution, since it’s such a lush and pretty day today that it seems like a resolution is called for.

I’m going to pay more attention to the signs – the dark and the light.

So I know all of you have stories to tell about visitations, prescience, telepathy, dream signs, and those just larger-than-life moments. (Yes, all of you – even the people who don’t believe always have stories about friends…)

What’s on Your Desk?

by J.T. Ellison

I’m in New York today, running around being a tourist post-Edgars. Since this was also my birthday week, I’m taking the shortcut of posting a piece I wrote for a magazine called The Verb. I hope you’ll forgive me for not checking in until later — but check in I will. Happy Friday!

It’s beneficial for a writer to be asked this question every
once in a while. Metaphor aside, the place where we create is vital to our
productivity.

I have two desks. One is upstairs in my home, in a bedroom
converted to an office. It’s a funny little room, a connector into the bonus
room over the garage. It’s got awkward angles, but a nice big window which
looks out onto the river birch. The tree is big enough that it blocks out
everything else, but that’s fine. In the winter, it’s not much fun, but in the
summer, the cardinals live in the tree, and at 5:00 each evening, they have a
cocktail party. Apparently it’s open invitation, because all the cardinals from
the neighborhood, the surrounding neighborhoods, probably the state congregate
in the tree, jostling for space on the branches. They are gossips and scolds,
and have a merry old time of it. When I worked in my office full time, the
cardinal cocktail hour was my signal to start wrapping up for the day.

My space upstairs has
evolved into more of a business office than a creative space. When I first
started writing, I was working on a tiny computer table. The keyboard tray was
so small the mouse wouldn’t fit, so I developed shoulder issues from the
constant up and down movement. When I started my second book, I decided Enough!
We bought lovely furniture to replace the tiny desk. The pieces fit snugly into
the corner (I’m a big fan of angled placement) with a desk to the right which holds
my printer and files, and a bookshelf to the left. The desks are two-tiered,
with cavernous hutches that are loaded with books, magazines, files and knick
knacks, including my precious Ted the Bear from Harrods. He’s there to bring me
international flair.

The top two shelves of the bookcase to the left hold my
favorite titles – LOLITA, ANTHEM, WUTHERING HEIGHTS, all my Austens, Hemingway,
Dickens, Conrad, Norton Anthologies and Greek Mythology texts. My shelves of
Classics. Most are the books I read in school and thought were fabulous enough
to keep. Which was pretty much all of them.

The center desk has my computer screen, a full sized rip-off
desk calendar, a small desk calendar called “The Year In Space” which has so
many cool photos of distant galaxies and stars that if you’re stuck, a quick
glance will humble you. I like to be reminded that while I’m struggling, there
are things that are much more important happening. There’s a black rubber,
bendable string cat that I’ve had since I was ten, and a green-faced Wicked
Witch pencil topper. Next to those childhood trophies is a small golden clock
that was a gift from the Secretary of Commerce. Tons of paperclips in magnetic
holders, post-it notes and separate containers for pens and pencils finish out
that section. There’s also a fantastic Mexican ceramic tissue box cover, the
cords to my iPod, the envelope that stores all my business receipts, speakers,
and the box that holds my special embossed cards for thank you notes. Along the
top, front and center, are my special books: the ones I’ve gotten signed by
authors I love, and my first run Harry Potters. Friends get co-op space too, so
the first thing you see when you walk in is their current title. A POISONED
SEASON by Tasha Alexander is at the forefront right now. As you can tell, I
love having everything in its proper space.

On the shelf to the right is a framed print of a Chinese
character from the I Ching called CHAOS. The small print below says “Before
the beginning of great brilliance, there must be Chaos. Before a brilliant
person begins something great, they must look foolish to the crowd
.”

I love that sentiment. It’s how I approach my work, and my
life. Chaos equals risk in my mind. If my life is organized, it leaves plenty
of room for my mind to be chaotic, and as such, my work to push the edge.

My big black leather chair swivels, and to the left of the
window is another chair, cushy and comfortable, a table with a lamp, a white
board for plotting and a corkboard. All
my conference and self-congratulatory detritus, book covers, important emails
and notes go onto the corkboard. There’s another sign on the table, this one
stone. It says, “Don’t Piss Off The Fairies.” Amen to that. Without the magic
sprinkles of fairy dust, where would we be?

But I spend my creative time downstairs, in my black leather
recliner. The windows have a view of the street, I can distract myself with the
neighbor’s comings and goings. The cat sleeps on the bench to the left of the
window on a large red plaid flannel, snoring and twitching her way through my
day. There’s a slate table to my left that holds my drink, the phone (whose
ringer is off,) an Italian pottery catch all for pens, and a basket below for “stuff.”
A magazine rack to the right handles my notepads and current files.

I sit in this chair with my laptop on my lap and write.
After all the care and feeding I put into creating the perfect office upstairs,
my lap has become my desk.

So what’s on your desk???

Wine of the Week: From a pre-birthday dinner this week, a fabulous and surprisingly affordable bottle. 

2002 Terre dei Volsci Velletri Riserva 

Be sure to let it breathe for about fifteen minutes before you try it. Nice and dry with a beautiful finish.

————

This essay first appeared in  The Verb in February 2008, a very cool ezine. I asked for and received permission to post it here.