WHAT Kind of Burger?

Jeffrey Cohen

I got to be Mr. Asperger again this week when I was interviewed by a radio station in Kentucky. The interviewer, who had actually taken the time to read the book (of all things), was very good, and asked intelligent questions, but it always worries me when I am asked to be the Spokesman for the Autism Spectrum. I’m just a parent who has to deal with something, that’s all. Doesn’t every parent have to deal with stuff?

My son was diagnosed with Asperger’s Syndrome, which is now considered a high-functioning form of autism, when he was about six years old (he’s now 17). It was the Ice Age of Asperger’s, when almost nobody had heard of it, when we were still being told by psychologists that our son was “eccentric,” and when school administrators, teachers, social workers and specialists were just finding out that there was something out there with a strange German name that might make an impact on the children they saw in class, and maybe they should find out more.

We were lucky to live in a school district (well okay, we had moved here with the schools in mind) that was not averse to differences among students. They were smart enough to explore what Asperger’s was, and early on, to note that this certainly explained students they’d had trouble with in the past, when they were frustrated and didn’t know how to respond.

Now, all school districts should take note: where diagnoses of autism once numbered about one in every 10,000 children, the number has now become one in every 166.

What causes autism and autism-spectrum disorders like AS? Nobody knows for sure, and I certainly can’t say with any authority. There is much debate, and I’m not a doctor. I don’t even play one on television, although I hear that’s a very sexy thing to do these days.

I can’t even say what it’s like to live with Asperger’s. I don’t have it; my son does. I can tell you what it’s like to live with someone who has Asperger’s, and tried to do so in my non-fiction books.

It gets a little uncomfortable when interviewers, readers, or anybody expects me to know all there is to know about all forms of autism. As an author, I don’t want to appear like I haven’t adequately researched my topic, but as a responsible human (which I aspire to be someday) I don’t want to make up information. I’ll often point out my almost criminal lack of credibility on a subject I’ve written about extensively for eight years, but there’s something just a little strange about having to do that.

Here’s what I know: people with autism, from the very high-functioning (boy, do I wish they’d come up with a better term than that–it makes my son sound like he should be spitting out pistons, or something) to the not-so-much, are different. They’re not sick, they’re not damaged, and I don’t believe they’re disabled; they’re different. They approach life in a way that the rest of us do not. I haven’t checked today, but I’m relatively sure that’s still not a crime in this country (although it seems pretty much everything is up for grabs these days).

What is needed is education. For the people with spectrum disorders? Certainly. If they want to fit in with the majority (some do, some don’t), they need to know what the majority expects, and at the very least, how to fake that. So education, from the earliest possible age, is desperately important. That means there need to be more people learning how to teach people who don’t see the world in the way most do, and we need to start doing that roughly 10 years ago, so it’s a priority.

But there also needs to be education for those of us who consider ourselves–and this is a word I shouldn’t be using–“normal.” (In the autism community, “neuro-typical” is the accepted term, and even that is pretty bad.) We need to be able to deal with a population that is growing geometrically by the day. And that means we need to understand where they’re coming from, how they view life, why they act the way they do. Police officers need to know it, teachers need to know it, grocery clerks, principals, deans, firefighters, writers, cable TV installers and virtually everyone else needs to understand.

People with autism and related disorders are not going away, and they’re not going to merely “fit in” because we decide they should. They’re going to be who they are, and if there’s one thing that living with my son for the past 17 years has taught me, it’s that they are very much worth knowing.

That’s why I write about Asperger’s, and autism, and everything in-between. Because if someone who’s reading a silly mystery book and isn’t expecting information about a neurological disorder to be included finds it anyway, maybe they’ll learn something. Maybe they’ll understand better. Maybe, when they meet my son, they’ll cut him just a little bit more slack.

It’s selfish, but it’s worthwhile.

Heartbroken

The column I want to write – well, suffice it to say I’m still so ticked off about the incident that I don’t know if I can get through an entire blog without using very dirty words and having a heart attack. But I’ll try, if you’ll forgive me a lapse or two. Hey, Simon used the F-bomb (in context, of course) last week and Jeff used shit in his title…

How unladylike, to swear. I know my mother cringes every time I pop off with a charming epithet, whether she’s hearing it live or reading it on the page. Hubby has gotten used to my mouth, even adopted a few of my favorites into his repertoire.

Get me really wound up and I’ll throw unique combination of words into the naughty mix. Bat-shit is my all time favorite. Now that we have the fact that I curse like a sailor out of the way, I’ll get to the real topic.

I attended a small school in Virginia called Randolph-Macon Woman’s College. That’s right, gentle readers. This foul mouthed besom went to a nice little school where they educate girls, try to class them up and send them out into the real world with an edge of sophistication and intelligence. And it’s been working, just like that, for 115 years. Pardon me.

115 YEARS!

Okay, JT, deep breaths.

On September 9th, the board of trustees, in one of the all time brilliant moves society has ever seen, voted 25-2 to make my beloved alma mater co-educational.Mainhall_150_2

That’s right. After 115 years of proudly educating in a single-sex environment, these **^*)@% idiots decide it’s time to get progressive, work for a Global Honors program, and admit men.
Now, I could bore you with the details. Things like 90% of the students were against this action. 89% of the alumni were against this action. The monetary toll alone will result in the school having to raise tuition to, are you ready? $25,700+ per year, per student, to cover the costs that result in alumni, like myself, who pulled all their funding from the school after the vote.

Wills have been rewritten. Millions and millions of dollars in endowments revoked. They lost 5 million bucks the first day alone. All because they decided to let a few paltry boys cross the threshold into our hallowed halls? DAMN STRAIGHT!

See, R-MWC was an educational institution like no other in the country. To start with, our dorms are part of the classroom buildings. My sophomore through senior years, I lived in Main (with a brief sojourn to West Hall, which is adjacent to Main as a wing off the building), and for class, I rolled out of bed, threw the hair in a ponytail, and went to class two flights of stairs below in my boxers, sweatshirt and pearls. Half the time I didn’t need shoes, much less clothing, to get my education.

We didn’t have sororities, we had secret societies. The big difference? You didn’t get to lobby to join. If you fit the secret group’s particular mold, they came to you.

We had traditions galore — Odds and Evens, Daisy Chain, Pumpkin Parade, Ring Night, SDD.

We had professors who treated us as equals, who were just as likely to hold class in their backyard with a bottle of wine to accompany the lesson as they were to teach in the classroom.

We had an honor code that was unparalleled in the university system today. And it worked, believe me.

Our motto – Vita Abunditor – The Life More Abundant – was precisely what we as students, as women, were looking for.

Copy_of_aerial_2Another strange thing Macon had that no other school had was the ability to make a woman realize her potential. The single sex environment provoked learning. We had no competition, no distractions. We were there to learn, and learn we did. Weekends were for parties and boys. Weekdays were for school. Grand, strange concept, I know, but it worked.

So are you already seeing a couple of major problems with going co-ed? One the name of the college has to change. Randolph-Macon Woman’s College can’t be shortened to Randolph Macon, because there is already a Randolph Macon (co-ed) in Virginia. Boom – the identity of the school is GONE, right there.

Then you have the little issue of living space. I guess they will make the dorms co-ed too, which will really be interesting. Either that or they’ll have to keep the girls in Main and the boys in a separate building created solely for that purpose.

I’m beginning to rant, and I apologize. Here’s the bottom line. When I went away to school my freshman year, I went to a co-ed school. I didn’t do so well. When I was looking for a school to transfer into, Macon opened their arms to me, didn’t care that my transcript was a joke. They saw my potential. They rewarded my loyalty with an education that is truly unsurpassed. They gave me myself back, taught me new pride in my abilities, and showed me not just that I mattered, but why I mattered.

I’m sitting here typing this with tears in my eyes. In one fell swoop, 25 strangers who don’t know me, don’t know this institution, and don’t understand the ramifications of their actions have erased 3 years of my identity. My alma mater no longer exists.

In the future, when I’m asked what college I did my undergrad at, I’ll have to say the school I attended closed in 2006. And that breaks my heart. It’s not just a matter of changing the name, of allowing boys to cruise the halls. It demeans and erases 115 years of history, of the desire to be different. We chose to attend Macon, chose to be educated among the finest international coalition of female students the world had to offer. Copy_2_of_blue_ridge_3

And it’s gone.

Damn them.

Trial And Error

Have you ever noticed how jury selection is pitched to the proletariat the same way timeshares are sold? "Hey Bob, you’ve just won the county lottery and you may have won the chance to be on a jury. To claim your prize, just pop along to the county court house."

Julie was lucky enough to get her jury duty notification letter a few month back. She’s always been pretty lucky with these things. She gets her call up papers once a year. Me, on the other hand, I don’t have to worry. As a non-citizen, I can’t serve on a jury. I think this should extend to not appearing in court as a defendant either, but I could be on my own with that one.

Well, just like with the timeshare pitch, Julie’s response to the notification was one of annoyance and irritation, which seems to be pretty much the common reaction with everyone. I can’t say I’m any different. I can think of many other painful ways to spend my time than serving on a jury. Not only that, there’s a lot of pressure on you as a juror. You have to pay attention for a start. The hardest thing is that you have to decide the fate of another person. That’s some scary responsibility and power.

Considering all that lawyers have to learn, are we (the general public) the best people to preside over a court case? What do we know and understand of the law? And saying you watch Law & Order on a regular basis isn’t good enough. In what other venue do we allow unskilled personnel to take control of such a serious undertaking? I don’t see nurses yanking people off the street to do brain surgery or airlines picking a passenger at random to fly a 747, so why have the decision of guilt or innocence placed in the hands of laypeople?

Combine that with the fact that most people consider jury duty to be such a hardship, I don’t fancy anyone’s chances of a fair and well-reasoned trial. Any of us could end up in court fighting for our livelihood and the last thing any of us want is twelve pissed off people who couldn’t come up with a decent enough excuse to get out of jury duty. It’s not exactly the justice system our forefathers imagined.  Remember, the judge won’t save us. All he’s going to do is slap a number on the proceedings. To me, a jury is a bigger deterrent not to commit crime than the various crime prevention programs the police currently have.

This is my script for a TV commercial to be broadcast nationally to scare us straight. Here it is:

"Trial by jury is a right of everyone in this country.  You’ll be tried by your peers–objective people who have nothing to gain or lose from your case. Meet your jurors:"

"Juror #1 was meant to be in Maui this week."

"Juror #2 didn’t get beyond 5th grade and needs help tying his laces."

"Juror #3 thinks J-walking should be a capital offense."

"Juror #4 will go with the flow and agree with the majority."

"Juror #5’s car was stolen last month and no one was caught. This is payback."

"Juror #6 knows you did it just by looking at you."

"Juror #7 will base your guilt on a coin flip. Heads or tails?"

"Juror #8 thinks evidence is overrated. It’s all about gut feel."

"Juror #9 has fifteen cats and doesn’t think you look like a cat person."

"Juror #10 hopes to hook up with Juror #9."

"Juror #11 hasn’t been listening."

"Juror #12 and foreman is the actual perpetrator of the crime you stand accused of and isn’t in the mood to confess."

"Now, you’ve met your jury. How confident are you they’ll do the right thing?"

If this ad went out, crime would cease in a week.

I know the court system is a symbol of our democracy, but can’t we palm the responsibility onto someone who likes this sort of stuff? Justice, she may be blind, but the rest of us, we’re just blinkered.  🙂

Yours tried and tested,
Simon Wood

Write Me an Essay

NAOMI HIRAHARA

So you’re a writer with not much money rolling around in your pocket. You have no publisher-sponsored author tour and a limited advertising budget. So what do you do? Sulk? Gnash your teeth and wail? Rob a bank? Or maybe you do what you do best–write, and not only your next novel, but how about an author’s essay for one of the mystery periodicals out there?

I asked two of mystery’s best journal/magazine editors, Janet Rudolph of Mystery Readers Journal and Kate Stine of Mystery Scene, about their submission policies. I’ve written for both of them, and can certainly vouch for their professionalism. (I’ll be posting my essays for them in the future.) Although you are not paid for an author’s essay, it is certainly worth the time to write them. Think of it as a free, effective and fun way to promote your latest book.

Mystery Readers Journal

Mystery Readers Journal and its related entity, Mystery Readers International, are labors of love for their Berkeley, California-based founder and director, Janet Rudolph. "Neither is my ‘real’ job," explains Janet, "but our motto is ‘Dedicated to Enriching the Lives of Mystery Readers.’ I think that’s what I’m accomplishing with the Journal, especially."

Mystery Readers International is the largest mystery fan/reader organization in the world and annually awards its Macavity Awards for the best in the mystery genre at the Bouchercon mystery convention. (Congrats to this year’s nominees, BTW!) Membership in the organization includes a subscription to Mystery Readers Journal, which released its first issue in 1985. Since that time, MRJ has consistently published three to six issues each year.

MRJ has about 1,500 subscribers and is also sold in most independent mystery bookstores. It goes to many libraries–both public and university–around the world. MRJ is theme-based, so you need to wait for a topic that is related to your book. The next two issues are on Academic Mysteries. (Deadline for submissions is October 15.) The themes for next year are The Ethnic Detective (a personal yay!) Historical Mysteries, and Scandinavian Mysteries.

In addition to interpretive articles, MRJ includes at least a dozen of author essays in its "Author! Author!" section. She gives this advice to writers thinking about submitting essays:

It’s great publicity for your novels. Mysteries must have been published by a recognized press but do not need to be still in print. Many of our subscribers use libraries and used bookstores/online booksellers. Be sure that in the essay you address the theme of the issue. It should be 500-2,000 words, first person, up close and personal, about yourself, your mysteries and the ‘theme’ connection. Think of it as chatting with readers and writers. Query letters are good, so I know what to expect and when.

Check the website, www.mysteryreaders.org, for writers’ guidelines. Themes are chosen from the suggestions of members and subscribers, so if you join Mystery Readers International, you can chime in on what you want to see in the yet-to-be-determined issues for 2008. And if you want to submit an essay for the Spring 2007 Ethnic Detective issue, the deadline is January 15, 2007.

When asked about what she enjoys about putting the issues together, Janet says:

I love the Author! Author! section because I believe it’s unique. I enjoy soliciting articles and ‘meeting’ the authors via email and snail-mail. Their contributions make the Journal what it is. That being said, I also enjoy the reviews and articles and ‘meeting’ with those contributors at well. Mystery Readers Journal is a collaborative endeavor. I love the mystery community. Everyone is so supportive.

Janet Rudolph

Mystery Readers International

P.O. Box 8116

Berkeley, CA 94707

janet@mysteryreaders.org

Mystery Scene

Also established in 1985, Mystery Scene comes out five times a year. Co-published by Kate Stine and Brian Skupin, the magazine boasts a circulation of 12,000, spilt fairly evenly between subscribers and newsstand sales. Based on some demographic research, 60% are female, 74% are between the ages of 40-65, and 75% buy 11 or more crime books a year. Thirty-five percent buy at least 31 per year, and a whopping 20% buy 51 or more crime books per year. So we are talking about hard-core fans here.

Mystery Scene is also offered in 190 libraries, mainly public libraries but some college and universities as well.

The magazine has a regular New Books section where authors can write a brief essay about the inside story about their upcoming book. Usually interesting photos–not your standard author photo or book cover–accompany the pieces.

I recently asked Kate, who is also the magazine’s editor, more information about the New Books section:

Do you receive an inordinate number of submissions for this column?

In the past, we’ve tried to publish all the essays we got which often meant a lot of editorial work for me. Competition for space and my time is increasing, though, so we’re starting to reject more pieces.

Do you prefer that authors query you first or do you prefer authors send completed essays to you?

I’d prefer that writers send in essays. We’re interested in seeing essays from all sorts of writers at all stages of their careers. (The only exception is true crime, which we generally don’t cover in Mystery Scene.) The key point is the quality of the essay, not the fame of the writer.

Writers should understand, though, that if they don’t read and follow the editorial guidelines chances are their work won’t be accepted or, in some cases, even read. These guidelines are posted at our website, www.mysteryscenemag.com.

It’s also important to keep in mind that these are NEW Books essays. We can’t publish an essay about a book that’s more than a month or two older than the issue’s pub date. It’s best to send an essay to us three or four months before the book pub date.

How can authors make their submissions more interesting and attractive (tone, photos, etc.)? What mistakes do authors often make?

Interestingly enough, the most common mistake is talking too much about the book itself because it invariably comes off sounding like catalog copy.

These essays are meant to entertain and intrigue potential readers, so be creative. Some examples: real-life inspirations for plot and characters; unusual research; issues raised in the book and why they were of interest to you; the story’s locale or time period. Humor is good, detailed plot summaries are not.

Reading some good essays beforehand will give you pointers. Good nonfiction writing is an art not something a novelist knocks off in 20 minutes. And it’s very important to be familiar with the magazine so you can properly target our readership. Unless you’ve read Mystery Scene within the past year or two, you’re not familiar with it.

Providing us with interesting photos and illustrative material is a huge plus. Check out some back issues and look for Twist Phelan’s essays. She’s funny, she tells great stories–and her photos kick butt.

Mystery Scene has published some outstanding New Books essays over the past four years and this section of the magazine is quite popular. It’s definitely a great place for writers to get in front of an enthusiastic book reading (and buying) audience.

Kate Stine

Mystery Scene Magazine

331 W. 57th St., Ste. 148

New York, NY 10019-3101

(212) 765-7124

katestine@mysteryscenemag.com

It would also be nice to support these magazines and others like Mystery News by subscribing to them. I know that writers’ budgets are stretched–I know that firsthand–and that everything is tugging at our wallets. But if and when that extra check comes in, consider subscribing to one of these fine mystery periodicals.

And, in the meantime, write those essays! And if you have any tips regarding writing and contributing author essays, please note them in the comments section.

WEDNESDAY’S WORD: meishi (SUMMER OF THE BIG BACHI, page 18)Meishiire2

Business card. In Japan you always present your meishi with two hands and a slight bow. I suspect all Bouchercon attendees are making sure that they have their meishi in hand!

“Regional” — Oblivion or Jumping Point?

by Pari Noskin Taichert

It’s a sad fact. Readers have chided me for it.

I gripe about being considered a "regional writer."

It might not bother me as much if I lived in a region with a large population — and that population supported its authors. But the Southwest just doesn’t come close to "The South" or "California" or "The East Coast."

So, I sulk.

I’ve been convinced that my series — even with its national nods — hasn’t "hit the big time" because those darn New York editors (and reviewers and bookstore owners) don’t understand that a book written with New Mexico as its focus can still have a broad appeal. Hell, I know it can. My readers come from all over the country, and beyond.

I know for a fact that THE BELEN HITCH was passed over at one NYC house because the publisher already had another Southwestern female protag and the marketing department didn’t believe it could "support" two.

Now, some Southwestern authors have done quite well: Tony Hillerman (Navajo Indians), Michael McGarrity (Western lawman), James Doss (Indians/shamans), Rudolfo Anaya (Hispanic culture). But has it  been overdone?

Or, are editors bound by their own stereotypes about the region?

Who else but me writes about a moderately urban, whipped-cream guzzling, reform Jewish gal with a wicked wit and an unending supply of ambitious clients gung-ho about putting their towns and projects on every travel agent’s and tourist’s map?  Who else ever wrote a mystery set in Clovis, Belen, or Socorro County?

I’m unique, gosh darn it. I’m fresh! I’m, um, regional?

It’s enough to make me scream.

Well, sort of.

Lately I’ve been rethinking my stance. I’ve taken to wearing elegant native New Mexican jewelry. At some conventions or signings, you might even find me sporting a classy red-and-green chile (yes, it’s spelled with an "e" in NM) tie.

You see, it occurred to me that all my grumbling was wasting energy and time. Frankly, if every reader in New Mexico bought my books, I’d be close to that big time success I so crave.

So, writing about New Mexico — being called regional — isn’t bad in itself. It gives me an initial identity.

The question I have is: Will being "regional" doom me to be considered a quaint, "little" writer?

It’s the same kind of question I ask about being published by a smaller house. The University of New Mexico Press has been very good to me; it gave THE CLOVIS INCIDENT a voice when no bigger publisher would even consider it. But, will starting with a small publisher — having limited distribution and endorsement from national book chains, limited attention from national news media — doom me to oblivion as well?

(Lest you think I’m being melodramatic, note that I spoke with a well-known, national reviewer who told me that until my books were published by a big house, she wouldn’t consider looking at them.)

Oh, I don’t know.

My hope is, eventually, that when I’ve written enough Sasha books, a broader audience will actually turn to my work to find out about this region — in the same way people turn to Tony HIllerman to find out about Navajo country.

Until then, I’ll keep writing. I’ll keep getting better at my craft, at storytelling.

Each of my books has brought growth. THE CLOVIS INCIDENT is a great first ride. THE BELEN HITCH is a better written and plotted mystery. THE SOCORRO BLAST, my newly finished manuscript, tackles ethnic profiling and how our paranoia — born of the events of 9/11 — have changed the way we treat each other. (Believe me, it still has humor.)

Book # 4 will take a hard, hot look at the chile pepper industry in southern New Mexico.

Book #5 will explore the culture surrounding alternative energy in my state.

After that, I’ll focus on the role New Mexico plays in the space industry; we’re getting a space port (or the sciences at Los Alamos and Sandia Labs).

Obviously, I have many more Sasha stories to tell.

Will they find a bigger audience? A major publishing house? The big time?

Only time will tell.

No Shit, Sherlock

Jeffrey Cohen

First, you have to understand: writers spend most of their time not writing. That’s why my mind is wandering this way.

I’m not discussing Robert B. Parker, who has 106 series running at once and probably writes in the check out line at Foodtown, or any of those other maniacs who are prolific enough to drive the rest of us to the liquor cabinet. I mean the average, garden-variety author like myself, who spends more time thinking about writing than writing. We’re nice, too.

Don’t worry, this is going somewhere. I’m pretty sure.

So, given that writers spend a good deal of time not writing, and given that we are, by nature, a slovenly, slug-like people (this is a gross generality–there are few grosser), it follows that we spend a good deal of time looking around the walls of the room in which we are, at that moment, not writing. In my case, it would be in my "office," which is supposed to be the dining room of our house, but instead has an imposing dark-wood veneer piece of furniture that doubles as a desk, bookshelf and file cabinet (perhaps that should be "triples as a desk…").

It is the sort of room that would send Martha Stewart into a screaming fit that might result in more jail time, but in which someone like Sherlock Holmes would feel quite at home, assuming that Mrs. Hudson hadn’t been in to clean recently.

It would also serve as a terrific source of information for Holmes, who was fond of looking at the stuff a guy has in his room and making enormous leaps of logic (which were invariably proven correct) based on what he saw.

So: what would Sherlock Holmes make of this room?

Let’s start with a few ground rules. Sherlock has to be a modern-day sleuth in this case, so he’d be familiar with the iMac, the fax machine and the all-in-one copier/printer/scanner/waffle iron that takes up a good deal of shelf space in the room. He’d have to be familiar with the telephone. He wouldn’t be surprised that I have a shredder (recently purchased to make me feel more like an employee of the Nixon Administration) nor would he ask me where my quill pen was kept.

Also, let’s assume for the sake of argument (and my own sanity) that no major crime has been committed in my house. Sherlock’s coming by for late afternoon tea (boy, is he in for a disappointment!) or to attend a seder, so he can see how the Semites celebrate Easter.

What would Sherlock Holmes be able to find out about me by looking around my office?

"Well, to begin, you are clearly a professional musician," he might begin. "Note the case full of music books and the vintage 12-string guitar left out of its case, no doubt for quick access during periods of practice or composition. You have an interest in neurological disorders and historical figures, as is evidenced by the few books on the bookshelves. You are enamored of a particular writer on business topics; you own hardcover editions of many of his books. You have been presented with some sort of entertainment award, are a graduate of Grinnell College in Iowa, have a large number of children aged 11 to 17 who love to read, you exercise regularly, do your own sewing, drink beer in the afternoons while watching baseball games and are planning a trip to Italy."

"Amazing, Holmes! How did you guess?"

"I never guess, Watson." (Apparently, Sherlock has brought his "friend" along with him today, without feeling the need to ask in advance. The matzo ball soup will have to stretch a little.) "It is an appalling habit. I observe, and make deductions based on the observations. For example, the entertainment award, patterened after the ‘Oscar’ (as I believe it is called), is visible on the bookshelf. The Grinnell College connection can be deduced from the t-shirt Mr. Cohen is wearing, emblazoned with the words ‘Grinnell College Alumni Assocation.’ The inordinate number of bibliophile children–at least seven or eight–in the teenage years is evident from the huge piles of Young Adult mystery books on the floor. Exercise is indicated by the large ball used for that purpose that has not been put away because it will be used again soon, and the computer print-out sheets of exercise routines on the sideboard. There is a sewing kit on the same piece of furniture, which indicates Mr. Cohen has done some tailoring recently. He has a New York Yankees bottle opener on his filing cabinet, which indicates the need for a beer–most soft drinks have recloseable tops–and the fact that it has the imprint of the team would indicate a desire to observe their contests. The trip to Italy is indicated by the number of books on Rome and its environs on the shelves."

"Is there more, Holmes?" Watson loves to ask such questions, lap dog that he is.

"Of course, Watson. Those were only the most obvious observations. I can also tell you that Mr. Cohen owns a dog, is an observant Hebrew, prefers books on cassette to printed volumes, is devoted to the latest in technology, and has a considerable ego, as is evidenced by the large crate with a dog bed inside, the local newspaper issued by a Jewish organization, to which he must subscribe, the number of books on cassette versus the smaller number of hardcover books, the many cables and wires for technological devices, and the many likenesses of himself in the room. A man’s study, Watson, is the best place to determine his true character."

All of which would be true, except for the fact that Sherlock just got it all wrong. Except for the dog. I do have a dog.

I keep a guitar and many music books in my office, because I’ll often grab it and start to play something as a way to put off writing. I am anything but a professional musician. I have works about history and neurological disorders in my office because I have had to look up details about history for an article recently, and because my son was born with a neurological disorder, a subject on which I write quite a bit. It ain’t pleasure reading, believe me.

My shelves are, indeed, lined with a good number of books on business affairs by one author. They’re in hardcover, too. That’s because I wrote them. I do some ghostwriting to pay the bills, and the author (you wouldn’t recognize the name) is a frequent client. Best to keep those handy.

The "entertainment award" was given to me in college, when I directed (if you want to call it that) a student film. It was a joke (as was the film). The Grinnell College t-shirt? I wear it because it was too big on my wife, who is a graduate. I went to Rutgers, and although I have a shirt with the logo on it, I never wear it. It’s too clingy.

Young adult mysteries are, in fact, taking over my office. I have at least 50 of them there. I have to read them all, because a friend asked me to. It’s a long story (and an exceedingly dull one, which is why I’m not telling it here). My kids are, indeed, between the ages of 13 and 17, but there are only two of them. They’re 13 and 17. And while they love to read, YA mysteries are their 15th preference after many, many other choices. Some genes aren’t passed along.

The exercise equipment? A promise to myself that I’ve been ignoring for quite some time. If Holmes were looking closely at me, and not my t-shirt (the man is a bit perverse), he’d quickly see that I’m clearly not a frequent exerciser. More’s the pity.

An exercise ball does sit in my office; it’s presence, and many of his other observations, can be attributed to one personality trait that Holmes didn’t mention: I’m a slob. I can’t sew; my wife left the sewing kit out weeks ago and I never put it away where it belongs. The bottle opener? My brother gave it to me last December. (When you use it to open a bottle, it actually plays a recording of John Sterling, the radio voice of the Yankees, just to remind fans what an embarrassment John Sterling is.) Ought to get to putting that away any time now. The books on Rome? We went to Italy (and came back) in June. Yeah, need to find a place for those, okay.

Jewish newspaper? They keep sending it. I don’t remember asking. I never read it. (One can only assume Holmes was kidding with that "observant Hebrew" crack.) Really should put that on the recycling pile, now, shouldn’t I? Books on cassette? Those belong to my wife. We have some subscription; it’s like Netflix, but for books on tape. Cables and wires? I often look at those, wondering what they’re supposed to be attached to, and why.

There are photographs in the room, and I’m in some of them. Mostly by accident. They’re of my wife and children, for the most part. There is one pen-and-ink drawing of me, done by a friend a few lifetimes ago when I worked in a real office. I keep it because, well, I think if someone goes to the trouble to do a drawing of you, the least you can do is keep it. It used to sit next to a framed certificate declaring me a member of the crew of the Starship Enterprise, signed by Gene Roddenberry (whom I had interviewed for a video trade magazine) and James T. Kirk. I meant to keep that forever, too–you should always hang onto a certificate signed by a fictional character–but dropped the frame it was in, and it broke. I’m sure the certificate is around here somewhere. Got to wonder what Holmes would have made of that.

So, it’s possible to observe, and immediately deduce inaccurate information. This is to be kept in mind while writing mysteries–proof has to be more than a guess–sorry, Holmes–based on an observation. Indeed, looking around a person’s home/office and making judgments about them is best left as a playful exercise meant not to come to meaningful conclusions, but merely to kill some time.

Like I just did. You don’t have to be Sherlock Holmes.

ON THE BUBBLE WITH JOHN HART

SUCH STUFF AS DREAMS ARE MADE ON. ..

Yeah, yeah…so I’m borrowing from Will – but I don’t think he’d mind all that much.  I’ll bet he’d agree it fits John Hart.  I mean, when is the last time you saw Pat Conroy blurb a writer?  "The King of Lies moves and reads like a book on fire…an amazing new talent."  And Janet Maslin? "There hasn’t been a thriller as showily literate as The King of Lies…since Scott Turow came along."  And then there are raves from Entertainment Weekly, People Magazine gave him 3.5 stars out of 4!  Even Barnes & Noble said – "Scott Turow meets William Faulkner.  This amazing first effort by a former trial lawyer, John Hart, augurs a brilliant writing career-a relentless pace, emotionally gripping, and a beautifully written saga of a doomed family in a small southern city."  And then, of course, starred reviews from Booklist, Publishers Weekly, Library Journal and Bookpage.  Well, actually, that’s not all…but I have to save room for the interview, right?  But – I would be remiss not to tell you that John’s book has been selected as an Editor’s Pick by The Mystery Guild, a Featured Alternate by the Doubleday Book Club, the Book-of-the-Month Club, the Literary Guild and Smart Readers Rewards.

Pretty heady stuff, huh?  How many debut writers would kill to have this said about their first book?  Debut, hell!  How many writers period!  But seriously, don’t hate the guy.  He has a lovely wife and two daughters, and loves dogs! Besides, he has a very charming soft southern drawl that just makes one…well, I’m happily married… but still…  And did I mention a great sense of humor?

Come meet John Hart!

EE:  So, John – now that you’ve joined the firm of Grisham, Turow, Margolin & Schaffer – are you going to throw away that sign you had in your office?  You know the one I mean – that Shakespeare ditty from King Henry VI – ‘The first thing to do is to kill all the lawyers."?

JH:  Kill all the lawyers?  Who would buy my books?  Actually, I’m pretty proud to be a lawyer.  Believe it or not, it’s a great community.  Shared experiences.  Similar war stories.  It’s funny, The King of Lies doesn’t really paint lawyers with a kind of stroke, yet some of my most outspoken fans are attorneys.  Quite a few of them have gone out of their way to say that I nailed it.  Of course, they’re referring mainly to criminal district court, which is a strange beast…you really have to see it to believe it.  So, I’m still active in the bar.  At the same time, I can’t say that I miss the practice.  But I need to be careful.  If book two blows up on me, I might be asking one of them for a job.

Attention to all lawyers in the audience!  Don’t hold your breath waiting for John to send in his resume.  It ain’t gonna happen.  He’s locked into a contract with the above mentioned firm.

EE:  Talk is, John – and I’ve got this from impeccable sources – that Mick Jagger said you could go along with the Stones on their new tour, but you had to pay your own way – so you wrote The King of Lies to finance it.  Care to comment? 

JH:  That’s right.  After I left the law, I ended up working for a major Wall Street firm, where I consulted on a billion dollars of other people’s money.  The pay was unacceptable, so I went for the sure fire route of the thriller writer.  Easy money.  Guaranteed.  So far I’ve earned enough to wave at the bus as is screams past my hometown on the interstate.  But by the time the paperback comes out, I should own a squeegee: and I think that will put me over the top.

Uh, in that case…I wouldn’t worry about hangin’ with Mick just yet.  Maybe next year?

EE:  Gosh, after learning you won’t be going on tour with the guys, I almost hate to ask you about that ’61 Corvette.  I mean, you must be pretty down about now, and I don’t mean to rub salt in the wound, but…

JH:  That was a dark day.  Candy-apple red, matching numbers, completely restored…and it flamed out on the side of the interstate after a freak accident.  Melted to the frame.  Backed traffic up all the way to Chapel Hill.  I remember running down the shoulder and wondering, "Should I dive?"  I guess cars don’t really blow up when they burn.  Hollywood got that one wrong.  I do have two hub caps, though, if anyone needs really expensive ash trays.

Ohhh…I really do hate myself now for asking.

EE:  So John – rumors are rampant (I just love that term) around the Sundanceville that Robert Redford wants to play the role of Work Pickens but you turned him down because his face is too weathered.  John!!  You turned REDFORD DOWN???  Oh…I’m wilting here.

JH:  I didn’t say that his ‘face’ was too weathered.  I said his ‘ass’ was too weathered.  I mean, come on, his face is perfect.

His what?  Wait a minute.  Work Pickens doesn’t strip in the book!  So who the hell cares about… Well, anyway, you’re right about the face.  He’s still to die over.  I remember the day I met him.  Stop laughing.  I really did.  It was…nevermind, my husband might be reading this.  I’ll tell you all about it at Thrillerfest.

EE:  Tess Gerritsen is gonna get a kick out of hearing you left med school when you decided you couldn’t do a cross-section of a cadavers penis.  Bet you’re glad though, huh?  I mean, you might have become a famous surgeon instead of a best seller. What a bummer that would have been.

JH:  Actually, it wasn’t med school.  It was pre-med in undergrad.  But still, the same rule applies.  Any job requiring me to saw off a man’s Johnson, be he dead or alive, just wasn’t in the cards.  There is probably something dark and easily interpreted in that fact, either a metaphor or some quirk of mind that I would hide from most shrinks; but there it is.  And my entire family history is built on medicine.  A doctor father? Check.  A doctor grandfather who was surgery chief at Duke? Check.  Aunts and Uncles that could deliver babies, remove tumors and make you better than you were before (think Steve Austin)?  Check.  I don’t blame people like Tess for taking up writing.  Tumors? Growths? Toenail fungus?  No thanks.   

But then again.  Murderers, rapist, child molesters?  I guess lawyers can’t talk.  Bottom line, writing novels is pretty cool.  Doing stuff like this is alright, too.

Good thing you didn’t see Tess’s mock autopsy at ThrillerFest!  I covered my eyes during most of it!  But look at it this way – you gave up toenail fungus to catch bad guys. You could say there is some sort of trade off here, couldn’t you?   

EE:  How’s your wife Katie handling all those women lining up at your book signings?  You know what I mean (wink wink)…the Picken’s Chicks?  I’ve been told the fan club is growing so fast, they’ve had to incorporate.

JH:  E, my friend, if you saw my wife you would never ask that question.  Suffice it to say that I consider myself a lucky man.

Ah, spoken like a truly smitten man.  I love that in a guy.  Really, I do.

EE:  Okay, let’s get serious now John!  This thing you have with beer and bacon for breakfast just has to stop.  I mean, I know you Southerners have a different idea of healthy food groups, but really – this combo just won’t jump start your writing day.

JH:  No, no, no.  Beer and bacon is for dinner.  You could never get through th day on that, especially not on the grueling schedule of a full-time writer.  Why, I must sit perfectly still for as long as five or six hours a day.  And then there’s the email, and the afternoon massage.  And let’s not forget the need to sign all those royalty checks. I don’t know how it works for you, but I get a single check for each book sold.  Why, just last week, I must have cashed seven or eight.  And two people wanted autographs.  Two!  I mean, come on.  There needs to be limits.  I need at least ninety minutes for a nap.  Two hours for coffee at Starbucks.  Then there are the groupies.  They have to be dealt with.  My five year old has a school teacher right?  And she asked me to sign a permission form for a field trip.  Come on.  Permission form?  We all know what that really means.  So I told her I was married, and that seemed to handle the problem.  Now the principal is there every day when I come for my baby girl.  I guess that teacher needs the moral support, you know?  Just to keep her within limits.  So, no, beer and bacon just won’t cut it for breakfast.  I generally stick with bourbon and grits.

Royalty checks?  You know some royals and they send you money?  But, yeah…I can see how hard your days are.  Whew.  Glad I don’t have your problems!  But, uh…John?  I’d love to meet some of your royal friends.  Maybe we could get together for breakfast?  I’m good with the bourbon…but could we nix the grits?

EE:  Talk around Lawyerville, John – is that you’ve broken the cardinal rule of ‘telling it like it is’ – and the boys and girls are gathering on the footsteps of court houses all over the country getting ready to march.  How are you going to handle this?

JH:  Are you kidding?  The lawyers are rallying to my banner like I was William Wallace.  Now there’s talk of forming some kind of professional group, like a bar, maybe.  A state bar.  And a national version, too.  The American Bar Group, maybe.  Frankly, we’ve had enough.  We want reasonable compensation for reasonable work.  You win a case, and then get one third of a million dollar verdict?  That’s less than four hundred thousand dollars, which is just unacceptable for a hard week’s work.  We demand more, and we’re going to get it!

Kidding?  Me?  Get serious.  Listen Braveheart, I’ll run the bar, you take care of the dough problem, okay?  We can make this thing work.  Just don’t call me Kitty. 

EE:  Oh, John!  I just got a call from one of your neighbors.  Did you give my number?  She’s in a snit and wants me to talk to you about your singing when you’re out on your hammock.  She thinks it’s unseemly for a best selling author of your stature to be singing all those songs from Mary Poppins – and wants you to cool it.  It doesn’t look good for the neighborhood.  What do you want me to tell her?  She’s on hold…

JH:  Now you’ve hit the nail on the ugly side.  Mary freakin’ Poppins, that good for nothing, nineteenth century London trollop!  I don’t care if a spoonful of sugar does help the medicine go down.  She needs to chill out, have a bad hair day.  Something.  She’s right up there with Shirley Temple and Cinderella.  And don’t get me started on Ariel, Sleeping Beauty or that tramp Jasmine.  I can’t get these songs out of my head.  I feel like Jack Nicholson trapped in a long, dark winter.  God knows what my next novel is going to look like.  But I love my girls, you see, and they LOOOOOVE these songs.  It makes me understand Prosac, alcoholism and vasectomies.  Actually, not the vasectomy part.  But the rest of it for sure.  I have, quite literally, caught myself driving, alone and and singing, "So This Is Love" from Cinderella.  When the bass pumping low rider pulled up next to me, I thought I’d hit new lows.  Then the hot college girls pulled up at the next light.  It’s not cool.  Trust me.

Uh, John?  You want me to tell her all that?  Can I leave ‘Mary freakin’ Poppins’ out?  Maybe the trollop description too?  I mean, they like you now, and think you’re cool, but?   This might backfire, you know?  Tell you what, I’ll just say…well, I’ll think of something.

EE:  Okay, here’s a tough one.  What’s your Walter Mitty dream?  I ask every guest that – and you’re not off the hook.

JH:  This one is simple, and no BS.  I’d be a search and rescue helicopter pilot.  Those guys are just bad-ass.  Can there be a better job?  I doubt it.

And no BS from me either on this one.  That’s admirable.  And you’re right. True hero’s.

EE:  So, John – which writer would you love to have all to yourself in a cozy corner of the bar at next year’s Bouchercon or ThrillerFest?

JH:  Any of the authors who blurbed my book.  It’s such a decent thing for an established writer to do for a new guy.  I would listen to their stories, I would thank them profusely, and I would stand them to drinks from dusk until dawn.

That’s very nice.  But, uh…I thought maybe you might say…well, I was hoping…  Gosh, maybe I’ll wave as I pass by, okay?  I mean, I wouldn’t want to barge in or anything.

EE:  Okay, now that I know you’re not fooling around with choppers or sailing small boats across oceans anymore – so what would you be doing if you were not writing?

JH:  That’s easy.  I would be hating whatever job I happened to have.  This whole writing thing may go nowhere, but, damn, I love it.

Get a grip here, John.  Face facts – you’re in it for the duration.  Get used to it.

EE:  Besides Katie – who would you love to be on a deserted island with?

JH:  My dog, Tom, who makes me laugh and would probably taste like chicken.

Very funny.  What a sense of humor you have. I tell everyone I know that.  He’s kidding, folks.  Honest.  He. Doesn’t. Mean A. Word. Of. It.  Really. Really.  Really.

EE:  Rumors are running amok that residents of Salisbury, North Carolina are talking about erecting a statue of you in Hurley Park, but you’ve declined the honor because they want you to wear a baseball cap backwards.

JH:  No, E.  This one you truly misunderstood.  You see, the book is set in my hometown of Salisbury.  The folks who live there don’t want to erect a statue with my hat on backwards.  There’s your confusion.  They want to stand me up and kick my ass backwards.  Big difference.

Oh, now I get it.  Guess that’s what the mayor was trying to tell me.  We had a bad connection.  Poor man was shouting so damn much I thought…well, thanks for setting me straight.

And many, many thanks to you, John – for being such a grand guest, not a pain in the ass, at all…I mean, none of my guests are, you understand…but then…as I often say…I only know the best people and the finest writers.  None of it has rubbed off on me yet, but hey – I’m working on it.  And might I also add – congratulations for a stunning debut – and may the writing gods stay with you.  Oh, if you happen to chat with one of them…mention I’m still on hold, okay?  My ear is getting sore.

The Inspiration of Ozymandias

JT Ellison

Ozymandias

by Percy Bysshe Shelley

I met a traveller from an antique land
Who said: "Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command

Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And the pedestal these words appear:
‘My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

Whew. Shelley just does it for me.

Sometimes I forget that my first love growing up was poetry.
Though I had dual majors in college, I was an English Lit major at heart.
Politics was fun, and stimulating, and, well, practical. But I reveled in the
literature coursework. Who wouldn’t – homework consisted of reading. Poetry,
the classics – my battered, dog-earned, written upon Norton’s Anthology of
English Literature was my most prized possession. It still is.

It all started with Tennyson. Alfred Lord, to be exact. Who
wouldn’t love the imagery, the absolute desolation of his powerful words?

When I was a little girl, I used to sneak into my parent’s
bookshelf and read. One of the first things I discovered was my mom’s book of
poetry. I sat on the floor on the other side of their bed, the door to the hall
half closed, blocking me from sight. I was a sneak thief, stealing little
moments of influence.

It was early on when I discovered it. The work so
compelling, so overwhelming that I snuck in the bedroom as often as I could to
read it again and again.

A fragment of a poem, bristling with promise, the glory its
very succinctness. The Eagle.

He clasps the crags with crooked hands;
Close to
the sun in lonely lands,
Ringed with the azure world, he stands.

The wrinkled sea beneath him crawls:
He watches from
his mountain walls,
And like a thunderbolt, he falls.

Sigh. What is it about this piece that devastates me so?
I’ve never really been able to put my finger on the why. But it opened the door
to who I am today. As a little girl, something in my very core shifted the day
I read this poem. I wanted to do that. I wanted to find a way to devastate a
reader. I wanted to create the words that would blow some other little girl
away. It was an epiphany. I started writing.

My parents, of course, knew I was rooting around in their
world. They never dissuaded me, only encouraged me. I think it tickled them,
their towheaded tomboy in love with words. I read everything I could, tried my
hand at writing. Found a vocation. An all-consuming vacuum to get lost in,
over, and over, and over. Words.

Quick fast forward through college. I tried my hand at the
B-school, but did horribly. The only class I succeeded in that year was
English. So I, ahem, transferred schools. But I had to take a semester off, so
I worked on a political campaign. Got bit by another bug. When I enrolled at Randolph-Macon
Woman’s College, I declared two majors, Politics and English Lit. The politics
was fun for a long time, but my romantic soul got too disillusioned to continue
in the field. Where did that leave me? Well, Norton’s Anthology was on the
bookshelf.

Not to give anything away, but ALL THE PRETTY GIRLS has some
of my favorite poems on the pages. Just not the way you’d imagine.

Where did all this come from, you ask? Today’s Writer’s
Almanac had the poem Ozymandias, by Percy Bysshe Shelley. Good
old Percy. Loved him. Loved Ozymandias. It made me remember the moment
in college when I read it and felt that same tingle of devastation that I’d had
so many years before when I read The Eagle. Sometimes, a short piece of
art is just as good as an ode, you know?

I read Oz today, and my heart filled up with that
indescribable love again. I forget my roots too often. I labor over my words
when I should read the Romantics – learn how to write, how to reach, how to
influence all over again.

Thanks for indulging my trip down memory lane. I think
Norton and I have a date. 

So tell me, what was your inspiration? Can you trace it to a moment in time?

Wine of the Week — For all you romantics out there —

Castello Banfi Brunello di Montalcino Poggio all’Oro Riserva 1999

Just saying it is sexy, the wine itself is outstanding. Decant and let it breathe for at least 30 minutes.

I’ve been hopelessly discriminatory when it comes to you
white wine lovers. I’m sorry about that – white wine gives me migraines, so I
avoid it outside of baking. So, in an attempt to be fair, I will be adding a
White Wine of the Week – just realize that it’s not MY taste buds guiding the
selection, rather the taste buds and tasting menu of someone I trust.

White Wine of the Week —

Quinta da Aveleda – Aveleda Vihno Verde (Portugal)

LATE BREAKING NEWS — SPINETINGLER IS LIVE

Click on the link to see this great new issue, including my short story KILLING CAROL ANN.

Night Courting

While we were in New York last year, Julie told me about night court. I remembered the sitcom from the 80’s, but that was about it. Well, NYC has a night court. Under state law, anyone arrested has to be arraigned within 24 hours of an arrest and that has to be open to the public. Because the courts are so busy, they have to run a night court. So Julie and I went.

We took a trip down to 100 Center St and told the cops on duty we were there for night court. They looked at us the way you would expect, but waved us through. We found the little courtroom and took a seat. Not surprisingly, there weren’t many people in the public gallery, just a handful of loved ones and the accused having been released on their own recognizance waiting for their “Notice to appear" paperwork.

I was a little uncomfortable being there. I felt like a voyeur to somebody’s downfall. It made me wonder who the hell attends trials for fun, anyway.

The operation was very slick. A bevy of public defenders sat on one side of the courtroom, while the assistant DAs sat on the other. The accused sat in an L-shaped holding area in one corner. A glass-sided confession-style box was provided where the accused could meet with a public defender for a little privacy—and not so private when the public defender failed to close the door and everyone listened to a hooker revealing her arrest.

Things moved relatively quickly. Names were called. The accused stood with their lawyer while the people explained the case and the defense tried to explain it away. The judge considered the two sides of the story and decided on a course of action. The judge was a lot of fun. She liked to give both the defense and prosecution a slap now and again when they stepped out of line. Great sound bites included:

"Thank you for telling me how to do my job." This was said to a particularly annoying public defender.

"And next time bring me a case with an actual crime involved," which was said to an assistant DA.

The majority of arraignments weren’t much to write home about. Most fell into the realms of drug possession or DUI. But there were a couple of things to tickle the fancy. A very sorry looking white guy was brought in—definitely not the pothead type. He was doubly unusual as he was the only one with a hired lawyer. I was eager to know his crime. It turned out that he’d attacked his girlfriend with a couch.  Yes, a couch. Only in New York, right? His lawyer waxed lyrical about his family of good standing and the yacht club where he worked, etc. The prosecution wanted him held over, but the judge let him go without bail. On the way out, his father, a rather well to do guy, told his son to sort his shit out and there were other ways of solving his problems. The other interesting case involved a huge, scary-looking guy brought in on a warrant. Though handcuffed, he was very nice to the two officers who’d brought him in—apparently he’d forgotten to pay the second of two fines for letting his dogs off without a leash. This disappointed Julie and me, as we’d had a pool going as to what this guy had done. Was he a drug dealer? A killer? Reckless pet owner failed to make the top 50.

Sadly, respect for the law wasn’t always too forthcoming. On several occasions we listened to people leaving the courtroom saying something like, "Fuck this shit" or "Let’s get the fuck out of here." This came from both cops and the accused and they weren’t quiet about it either. You don’t even get that on Judge Judy!

After a while, night court got a little stale. Regardless of your point of view, it was depressing to see the people charged with the same thing and even more depressing that they were almost all minorities. The situation certainly screamed out for attention. Also, I didn’t see law or justice in action—just bartering. The prosecution would ask for bail to be set at a zillion dollars and the death penalty and the public defender would churn out a bunch of unrelated crap and ask for the charges to be dropped and a Happy Meal for everyone. The judge would wave the death penalty/Happy Meal scenario and pick something in the middle. Right and wrong seemed to have little to do with the proceedings.

The more I look at the law and order machine in motion, I know it’s not for me. Having had the opportunity to tour the inside of a prison, see a courtroom, and even testify in court, I never want to get myself on the wrong side of the law. It’s too depressing for words.

Yours unarraigned,
Simon Wood

Money Book

NAOMI HIRAHARA

Before I became a published novelist, I only bought one hardback novel a year.

I’ve always been a trade paperback kind of girl. I like to devour books, take them into the bath (and yes, sometimes even the shower) with me. I’m rough with books.

And there’s always the matter of money. I had little and still continue to have little–if I don’t count my sweet husband’s salary. The library is wonderful–but only one thing, I’m also a little absent-minded. So those fines add up, so it just makes sense to buy paperbacks.

But then I got published, and suddenly my hardback fiction collection exponentially grew. Suddenly I had all these colleagues and friends who were also published, and most of them were getting published in hardback.

My husband has watched helplessly as our living room china cabinet that we use as a bookshelf has continued to get filled with hardbacks. But let me tell you, he’s doing his share with all his sports books (he’s a roundball fanatic–he probably has every biography ever published on an American basketball coach).

Anyway, now I have a bunch of hardbacks, autographed and personalized at that. But I tell myself they are all an investment. I’ve suddenly become a book collector.

I know what you’re thinking. Naomi, personalized books are not as valuable as just autographed books. But again, it all depends who they are signed to–stranger, friend, or colleague. These signatures will tell a story of the relationship between one writer and another.

For instance, why did S.J. Rozan draw a basketball in my copy of her 9/11 novel, ABSENT FRIENDS? I love that bestselling children’s author Ken Mochizuki, a fellow ethnic press editor and reporter, signed his YA novel, BEACON HILLS BOYS, with "Remember when they told us to ‘get a real job’?" Gary Phillips appropriately penned, "Writing is fighting," in my West Coast Crime copy of his mystery debut, VIOLENT SPRING. And of course I’ll always treasure Walter Mosley scribbling, "Good luck with Summer of the Big Bachi," in BLACK BETTY.

My most emotion-laden autographed hardback book is not a novel, but nonfiction–late Iris Chang’s RAPE OF NANKING. It was another dearly departed figure, television newsman Sam Chu Lin, who had encouraged me to attend Iris’s signing at the Santa Monica Borders in January 1998 and I was so glad to have the opportunity to meet her in person before she tragically took her life in November of 2004.

As I write this, I see that books are actually physical footprints, emotional and intellectual markers of my life. My copy of RAPE OF NANKING not only brings to mind Iris Chang, but also the subsequent conversations it engendered and the many related stories on Japanese war crimes I placed in the newspaper I once edited. I also remember my pal Sam and how he mentored and befriended so many of us younger journalists. Perhaps that’s why I don’t think electronic books will ever completely replace actual bound books. There’s magic in those pages.

The book in my collection that is worth the most money is a first edition, first printing of Cynthia Kadohata’s KIRA-KIRA, which garnered the Newbery Award months after it was signed. The Newbery Award is the closest thing to literature’s Oscars, at least for writers for children. Soon after Cynthia received a 4:30 a.m. phone call announcing that she had won, she was whisked away for the Today Show. Now how glamorous is that? Soon Cynthia was deluged with e-mails requesting a first edition, first-printing book. The book was going for $800 at one time, and currently is listed for more than $1,000 for an autographed first-printing copy. And I have a personalized one.

By the way, Cynthia and I will be appearing together at the Torrance Public Library on Wednesday, September 27, at 7 p.m. so all you locals come out and see us. Cynthia will be showing her brilliant PowerPoint presentation, while I’ll be more low-tech with some show-and-tell surprises, nonetheless.

And for those going to the Bouchercon world mystery convention at the end of this month, keep you eye out–not only for current stars, but also for those newbies under the radar who may become stars of tomorrow. Especially those getting published by small presses or having limited print-runs with larger publishers.

And don’t forget about those paperback original writers! Robert Crais’ first book, MONKEY’S RAINCOAT, a mass market paperback original, in mint condition is going for three figures.

No more showers with books for me.

WEDNESDAY’S WORD: okanemochi (SNAKESKIN SHAMISEN, page 86)

Rich person. Pronounced "o-KA-neh-MO-chee." Okane means money and mochi is derived from the infinitive motsu, or to hold onto.

DISORIENTED EXPRESS LEAVES THE STATION: Mystery authors Eric Stone and Colin Cotterill’s joint tour, Disoriented Express, begins tonight at the Mystery Bookstore at 7 p.m. I was hoping to attend, but being the traffic wimp that I am, I’ve decided not to take the trek through downtown L.A. to the westside. But I know that I’m missing out on great, great fun. Asian snacks, beverages, and good company. I am hoping to meet Colin at Book’em Mysteries in South Pasadena tomorrow, however. A much, much saner drive for me personally. BTW, Colin has the best website ever.

EVENT SEASON GEARS UP: Come to the West Hollywood Book Fair this weekend on Sunday, September 17. At 1:15 p.m. I’ll be on a panel, "Who Am I?," with Rochelle Krich, Luis Rodriguez and Victoria Christopher Murray, moderated by Holly Hoffman. It’s going to be on the age-old theme of a writer’s identity. Should be interesting! I’ll also be doing a self-publishing and book distribution workshop in Little Tokyo this Saturday.