1.28.16 – On One More Word

By JT Ellison

I just saw a great ad for Beats wireless earbuds. The message — one more rep — really resonated with me.

“Just when I think I can’t go anymore, I think about those who doubted me. And I do just one more rep.”

One more rep. One more word.

This is how I approach my writing. When I think the well is dry, that there is nothing else I can squeeze out of a day, when I know it’s time to shut things down, I often find myself throwing down a few more words, or an idea for the next day, just something to push myself further.

One more rep. One more word.

Pushing yourself past the limits is where greatness comes from. Where ambition becomes success. Where careers are born. Where unpublished becomes agented, where agented becomes published. Where you publish that story yourself because you believe it will find an audience, and you’re proven right.

Where you throw off the mantle of can’t, and embrace can.

One more rep. One more word.

But how do you start? How do you follow your dream if you don’t know where to begin?

My yoga guru often reminds me that showing up to my mat is the most important part of my practice. I used to get annoyed, until I realized she was absolutely right. Even if I don’t feel like it, if I just roll out the mat, if I just show up, I invariable end up doing a few moves, which leads into a practice. It might be five minutes, it might be an hour. But I’m there.

One more rep. One more word.

The same approach works for a manuscript, or a canvas, or the project you’re dreading at work. Show up. Open that file. Write one word. Paint one brushstroke. Do it every day, and you’ll find the habit. Find the habit, and you’ll find yourself.

And when you think you can do no more, when your fingers hurt and your family needs you and you think you’re done, do one more.

Just one more.

Via: JT Ellison

    

1.24.16 – Sunday Smatterings

By JT Ellison

Hi, chickens! Keeping warm, I hope? It_snowed_a_lot in Nashville, the most in 13 years (I got a little more than 6″ at my place — a triumph!). It’s great motivation to stay inside because, as you know, I’m busily writing away, trying to finish the next Nicholas Drummond book. But I do love looking at glistening trees and flakes slowly falling. The world feels so quiet and peaceful.

Here’s what happened on the Internets this week:

It takes discipline to write: it really does. There are some days when the words flow out of me, and other days, I feel my muse is still sipping her morning tea, taking her sweet time to arrive as I beg her to show up. I’m always curious to see what others’ writing experiences are like, so I really enjoyed this: the daily word counts of 39 famous authors. (I try for 1000/day.)

Speaking of deadlines… did you know there’s a fancier word for procrastination? Akrasia. And this is why we don’t follow through on what we set out to do. Fascinating stuff.

Why yes, Sam Heughan, I will replay this clip of you reading Burns poetry 10 times today. And tomorrow. And the next day…

Harlequin is in the wine business! Have you tried any of these yet? I love the bottles.

I’m sure you’ll be shocked to hear that many of us suffered mightily from Blue Monday. Here’s how you beat it. And a thought — it you have any kind of Seasonal Affective Disorder, you may have a Vitamin D deficiency. You may want to add a supplement in during the long winter days, and see if it helps.

Do you enjoy browsing your local indie store? I do. I love walking in, chatting up the staff and getting their recommendations. Which is why I was so eager to help out another one of my favorite indies in need: Seattle Mystery Bookshop. If you want to help save a great neighborhood indie store, visit their Go Fund Me page.

And closer to home:

Heads up: the first two Samantha Owens books are now available in one convenient digital package. (And for only $5.99, too!)

Oh! Would you like a free ebook? My publisher for NO ONE KNOWS is giving free ebooks to peeps who sign up to be fans of my Simon & Schuster author page.

And like I said earlier, I mused about the agonies of deadline. Don’t get me wrong—I love my job. Love it, and am grateful for it every day. But man, deadline takes a lot out of you, and there are some days I walk around like a zombie.

The Wine Vixen

On The Wine Vixen, we learned that boxed wine can actually be delicious (YEP) and how to make mulled wine, a perfect snow day drink. Mmm…

Two Tales Press

And don’t forget: if you’re looking for Snow Day reads, you can get free samples of all the books on Two Tales Press!

Alright, loves, that’s all I’ve got for you. Stay warm, read all the things, and I’ll talk to you soon!

Xoxo,
J.T.

P.S. Don’t forget to enter my January contest: I’m giving away a signed hardcover of THE FINAL CUT and other goodies!

Via: JT Ellison

    

1.21.16 – On The Agonies of Deadline

By JT Ellison

I went to bed the other night and realized my hair was in the most gorgeous chignon, one I didn’t remember putting in. It had no clip, no barrette, just a perfectly tucked-in curve that my hairdresser would have trouble recreating. So what was holding it in place?

A golf tee.

A GOLF TEE.

I didn’t know whether to laugh or cry. Because that’s the kind of absentmindedness that overtakes me when I’m on deadline.

Yep, it’s that time again. I have a book due in a couple of weeks. I am in an all-out sprint to make my deadline. Anytime my editors/co-writer sets a date, I say, “Sure, that’s doable,” with the kind of cocky swagger generally reserved for, well, cocky writers who are out of their minds and don’t do well saying no. And then it suddenly rushes up on me, and even though I’ve been writing for months, the word count isn’t where it should be, and it’s an unholy race against the clock to get the book finished.

I hate to miss deadlines. I’ve actually only missed one, and that was by two weeks. Not bad. Deadlines are a point of pride with me. I will cut off my arm to make one. It’s something I learned about myself early on, back in high school, and I’ve never lost it. Which is a good skill to have, but it can get me in trouble sometimes.

But sometimes, the story won’t work. Things happen. Life intrudes. Writers are human (humanoid, at least) and sometimes, a deadline can’t be met, for whatever reason.

When I read George R.R. Martin’s blog post about having to miss his deadline for his new novel, I was upset for him. I _know_ how hard it must have been for him to come to that decision. And what were the headlines screaming? George R.R. Martin Disappoints Fans

How incredibly unfair. Hey, I’m just a thrillerchick writing her heart out trying to make my deadlines. I’m never going to be at his level. I will never have the kind of pressure on me as he does. But I do co-write, and I do have an idea of how many people would be let down if I were to fail at meeting a scheduled date. That pressure is overwhelming, sometimes paralyzingly so (ahem – hence, we write blog posts to get the well refilled…).

Now consider the pressure Martin has — the level of scrutiny, the number of fans of both the show and the books, how HBO is banking on the next season/story blowing our socks off, and the publishing house knows they’re going to have a Very. Good. Year. which means they’ll be able to sign new authors and renew contracts for mid-listers, and maybe they can keep that editor on board whose head was on the chopping block after the last round of mergers, plus the bookstores… I could go on and on. You get it.

There’s a lot riding on a writer being able to make their deadline.

But take the business out of it for a moment — the sense of ownership readers have is incredible. It’s exciting. It’s also scary, because the last thing any author wants is to let down their fans. Neil Gaiman addressed this once in a spirited essay in which he told a disgruntled fan “George R.R. Martin is not your bitch,” scolding said fan for being antagonistic toward Mr. Martin because of his release pace.

But read Martin’s blog. Listen to what he’s saying. He is disappointed in himself. And when a writer starts into that spiral, it’s dangerous. I have been there, and I can honestly say, sometimes, if a book just isn’t shaping up the way its supposed to, the deadline can kill the creative spirit.

There is simply nothing worse than watching the days tick away. It’s not that you haven’t been working, been writing — on the contrary, you’re working on it all the time, but something is holding you back. Word counts are minimal, the book’s pace slows. Something is desperately wrong with the story and you can’t figure it out. Now add in the level to which he’s writing, the pressure he’s under… it’s amazing there’s going be a book at all.

I am so glad I’m not in his shoes.

But I am in utter and complete distraction mode. You want to know how bad it is? They paved my road. Over four miles of paving. I had no idea until I went to take the cat to the vet. How sad is that? I really didn’t think I’d been at home that long, but you know, with a sick kitten, no sleep, it becomes a blur of days, too many of which have the moments of sheer terror, when you look at the clock and realize it’s 2 p.m. and the day’s half gone and you’ve only written 1200 and OHMYGODWHATWILLIDOIFIMISSTHISDEADLINE…

If. Such a bitchy little word. Amazing what it can do to the writer’s psyche.

The last few weeks of a book are intense, stressful, and usually for me, a total blast. It’s strange to say, but I only feel like a real writer when I’m on deadline. My normal output averages 1000 words a day. On deadline, I average 3–4,000. I write in concentrated 2-hour bursts, with 5–10-minute rewards in between: Twitter check-ins, lunchtime TV, phone calls with friends. And then it’s back to it, balls to the wall, hair on fire and wrists literally rubbed raw from the edge of the keyboard.

My parents only get one call a day. The laundry is unfolded, dinners are brought in, and my poor sweet husband is walking around looking somewhat haunted, probably wearing underwear with holes, never knowing if his kind greeting will be met with a kiss or a demand for silence. But he knew what he was getting himself into when he married me, so I’m not as worried about that as I should be. The cats bring mice and drop them at my feet, which I feebly kick around for them whilst typing and staring into space.

As I’ve gotten older, every deadline brings its own unique twitch. They always start in the last two weeks, when I’m living, breathing, and crying the words onto the page, calling Randy at regular intervals to go through the what ifs, and checking the word count obsessively.

Once it was my eye. For book #7, it was my right forefinger. This time, it’s my left upper lip. When it gets noticeable, that’s when I know it’s time to pop an Ativan and drink a glass of wine. All I can do is try to get rest and exercise and push through to the end, and then it will stop.

Honestly, I wouldn’t trade this for the world. It’s… exciting, in many ways. Fun. A challenge. Pitting yourself against the clock, against your mind, against the story. Knowing that somehow, someway, a living, breathing book will come out of this.

But it’s rough, the last few weeks of a book. Physically, emotionally. So when I read Martin’s blog, my heart really went out to him.

And with that thought I leave you. I can still get another scene done before I have to go to bed and get up and do it all again.

Via: JT Ellison

    

THE EX: Some relationships belong in the past

By Alafair Burke

TheEx_hc c

I’m so excited for you all to read my eleventh novel, THE EX, out January 26 in the US, February 2 in the UK. If you have a US mailing address, I’d love to send a small gift to anyone who orders the book by January 26. Three lucky readers will win signed copies of the the entire Ellie Hatcher series! To claim your thank-you gift, just fill out this short form.

Everyone has an ex. Correction: not an ex. The ex, the one you find yourself thinking about during the most unlikely moments. For some, the ex is the great love who got away. Or the one who made it hard to trust again. Or the one who makes you feel ashamed.

For Olivia Randall, the ex is her former fiancé, Jack Harris. A tragic decision she made twenty years earlier didn’t just break their engagement; it led to disastrous consequences she tries not to think about. But Jack re-enters her life in a big, surprising way when his young daughter calls her for help. Jack’s been arrested for a triple homicide. Olivia is one of the best criminal defense attorneys in New York City and knows Jack could not have committed the terrible acts he’s accused of.

For Olivia, helping Jack is a way to turn back the clock and try to absolve herself of two decades of guilt. But as the evidence against her client mounts, she wonders whether her memories of Jack and their relationship have been distorted by her own remorse. How well did she ever really know him?

View the book trailer by clicking above

“With an all-too-real mass shooting in a richly-observed Manhattan as its springboard, The Ex is an expertly crafted, intricately woven novel that is as emotionally complex as it is riveting.” — Kimberly McCreight, New York Times bestselling author of Reconstructing Amelia and Where They Found Her

“Intriguing, suspenseful, compelling, insightful, surprising, and thoroughly satisfying — The Ex is a great read.” — Chris Pavone, The Accident and The Expats

“Strong characters and a plot that’s handled deftly, despite its complexities, show Burke at the top of her game here. This is a compelling legal thriller with a strong emotional component grounded in a solid rational base, with a final twist to boot.” — Library Journal, starred review

“Features smooth, engaging writing; a sharp, funny edge; and characters worth investing in. Burke has created some memorable female protagonists over the years, but Olivia might be the cream of the crop.” — Kirkus

“Gripping…. Olivia makes an appealingly bold protagonist…. Burke keeps the suspense high throughout, prying open mysteries of relationships and perception.” — Publishers Weekly

Via: Alafair Burke

    

1.17.16 – Sunday Smatterings

By JT Ellison

Hi, lovelies! How are you? I’ll admit, it hasn’t been the easiest week. But here’s a bright spot: thrillercat Jameson has been cleared to resume normal activities, so she’s out of her cone! Thank goodness. It was hard on all of us to keep the poor bunny confined.

And without further ado . . .

Here’s what happened around the Internets this week:

First of all, I’m heartbroken that cancer has taken two of our most talented men. I’m talking, of course, of David Bowie and Alan Rickman. I wrote about Bowie here on the Tao. And there’s no question: Alan Rickman was Snape. I think one of my dearest friends, Laura Benedict, summed up our collective grief quite well:

Careers have highlights and low places. When someone dies, most everyone remembers the highlights. The best of people. They forget that the person was a work in progress, a work that was different from project to project, day to day. The day after that person sang/wrote that favorite song, or acted in that favorite film, they probably went on to do something less, well, remarkable. They went on living their lives, working because it meant something to be working, whether we cared about it or not. Their possibilities were still delightfully possible.

Rest peacefully, sirs. We will certainly miss you.

Some writers have a ritual before they put pen to paper. I get it — getting words on the page takes discipline. But Hunter S. Thompson’s pre-writing rituals were more more unconventional than even I had originally thought . . .

It’s no secret that I love Dani Shapiro. Her writing is so beautifully lyrical and resonates so deeply with me—like this piece about the friend that got away. I know we’ve all had that person. Dani articulates this situation so well, it’s like she was inside my brain.

Go read AMERICAN HOUSEWIFE. Just trust me on this one.

I love a tool that helps me get the job done. I have a well-documented love of Wunderlist, so I was intrigued by this article—it explains why I love the melodious ding! that sounds when I check something off the list.

Speaking of handy tools: Mac people, do you long for a Gmail app so that you don’t have to contend with yet another tab cluttering your browser? Here you go.

I dunno about you, but I’d much rather buy something once at a premium than keep replacing a cheap product. Turns out, I’m not alone—and there’s a website to help people like me.

And score 1 for the indies: my hometown store, Parnassus Books, is expanding!

And here at home base:

JT Ellison logo

Um, I nearly fell out of my chair when BookBub named NO ONE KNOWS one of the “15 New Books to Read If You Love GIRL ON THE TRAIN!” And a few other people have been passing around ARCs of NO ONE KNOWS, and they’ve been saying some really nice stuff!

Two more months, you guys! I can’t wait to talk about this one with you . . .

Also, you need these potatoes in your life. OK? I can’t stress to you how delicious (and easy!) these are on a weeknight. Want more recipes? Sign up for the newsletter, and get a new one every month. Spoiler alert: next month’s is a killer slow cooker recipe . . .

The Wine Vixen logo

And on The Wine Vixen, Amy learned an important life skill: how to find delicious white wines at restaurants AND stay on-budget. And I indulged in a delicious Cabernet, brought to you by the same folks who make Grand Marnier (what!?).

Two Tales Press logo

Want some free book samples? Every product page on Two Tales Press is now equipped with a handy link that’ll let you peek inside the books. Happy reading!

That’s all from me. Y’all keep warm, make some soup (or, better yet, those rib-sticking potatoes!), and we’ll talk again soon!

Xoxo,
JT

Via: JT Ellison

    

Produce your own audiobook with ACX

By noreply@blogger.com (Alexandra Sokoloff)

by


On Amazon
On Audible

If you buy or already own the Kindle edition, you can add audio for just $3.47.


AUDIO IS THE NEW BLACK


The Romantic Times Booklovers convention is one of the biggest conventions I go to all year, and I was surprised this year at how many panels and workshops there were with titles like “Audio is the New Black.” I met up with lots of author friends who have been doing a brisk business in audiobooks through the ACX program, and I thought I’d better blog a little about it here, because this is another potential income stream that authors need to be aware of these days, and ACX is a terrific production and distribution resource. Even if you know exactly zero about audiobook production (that would be me!), the ACX site has streamlined the process into a step-by-step system that anyone can follow to produce a quality audiobook.

ACX has thousands of professional and highly experienced actor-producers already signed up for the program. When you start an audio book, you choose a five-minute segment of your book for actors to audition with and upload that to the ACX site, and specify the qualities of voice that you’re looking for (comic, brooding, spooky, etc.) You choose whether you’ll pay the narrator a flat fee yourself, or do a royalty share deal. Then the project gets posted to ACX’s entire stable of actor-producers, and immediately auditions start coming in. You can also browse for actors yourself by searching vocal and tonal qualities and listening to samples. I was having flashbacks to my directing days as I listened to over three dozen auditions. (I know, yike – but you don’t have to listen to the whole audition to know if a narrator is in the running).

I actually found my terrific narrator, RC Bray, myself, by searching auditions on the site (Bob is also the narrator of the blockbuster audio The Martian, among other titles). I was blown away by Bob’s vocal range (just wait till you hear his reading of Epps!), and the way he’s able to convey theme and suspense in his reading. Bob loved Huntress and signed up to do the book immediately, and he’s such a professional that we had no problem working together by e mail. I could ask him to do something in a slightly different way and he’d instantly get it. I’m thrilled with the book and I hope you audiobook listeners will be, too.

I’ve really enjoyed working on the audio version of Huntress, though I have to warn it’s a lot of work. But ACX’s team was incredibly supportive and helpful – any time I hit a snag or didn’t understand a step in the process, I could contact the support team and get talked through it. I know other authors opt to make audio deals with great companies like Audible rather than taking on production themselves, but I love that I’m now making the lion’s share of profit from this book. I think maybe a mix of self-produced and publisher-produced books might be the way to go, just as a hybrid mix of indie published and traditionally published books can be the most profitable (and manageable!) route for authors these days.

I have audiobooks of Blood Moon and Cold Moon out from Thomas & Mercer, produced by Audible.com and narrated by Bob Bray, but I’m also releasing two more through ACX, Book of Shadows and The Unseen.

I highly recommend that all authors check out the ACX site and read about how the process works. And of course I’d love to hear from others of you who have worked on your own audiobooks! What was your experience?

Alex

————————————————————————————————-

Special Agent Matthew Roarke thought he knew what evil was.

He was wrong.

FBI Special Agent Matthew Roarke is just closing in on a bust of a major criminal organization in San Francisco when he witnesses an undercover member of his team killed right in front of him on a busy street, an accident Roarke can’t believe is coincidental. His suspicions put him on the trail of a mysterious young woman who appears to have been present at each scene of a years-long string of “accidents” and murder, and who may well be that most rare of killers: a female serial.


Roarke’s hunt for her takes him across three states… while in a small coastal town, a young father and his five-year old son, both wounded from a recent divorce, encounter a lost and compelling young woman on the beach and strike up an unlikely friendship without realizing how deadly she may be.

As Roarke uncovers the shocking truth of her background, he realizes she is on a mission of her own, and must race to capture her before more blood is shed.

Amazon UK

Audiobooks of Blood Moon, and Cold Moon are also available from Thomas & Mercer/Audible.com


Via: Alexandra Sokoloff