Happy Banned Books Week!

By noreply@blogger.com (Alexandra Sokoloff)

So this has been a great week of protest and pushing back against forces that would silence free speech and protest demonstrations. Let me be very clear – I’m not a fan of the NFL. I support the boycott of the league for its tolerance of/whitewashing of domestic abuse and sexual assault. But I #TaketheKnee to protest violence against people of color. I completely support that life-and-death cause, and I very much hope that meaning doesn’t get lost in all the flag waving.
That protest coincides with Banned Book Week – not by design, but certainly not unrelated. Both are pushbacks against authoritarianism.

I’ve had my own run-in with censorship this week as well. Hunger Moon went up on Netgalley for early review, and I’ve had some savagely great reviews already. Readers are responding to the book exactly as I’d hoped – there’s shock, empathy, anger, and apparently a whole lot of catharsis.

And one reader has also responded exactly as I anticipated some people will – she went on a furious crusade to one-star the book everywhere she could, saying things like “this book should never have been written” and “I read for entertainment – I don’t want to read politics in FICTION,” and “your career is over.”
There’s not a little absurdity in these attacks. I have no idea how anyone who says they’re after “entertainment” could be a long-time follower of the Huntress series. Who in the world reads books about rape culture, child abuse, sex trafficking, and serial killing – for entertainment?

And if you’ve read four books out of this series and haven’t figured out that they’re political, I don’t understand what you’ve been reading.

If you don’t want to read politics in fiction, then don’t read political books. It’s as simple as that. We’re all free to choose what we do and don’t read. We’re all free to boycott books we find morally reprehensible. But no one has any right to say “this book shouldn’t have been written.” That – isn’t freedom at all. Threatening an author with career annihilation is also pretty low – I don’t have any fear of that myself, having gone through more career iterations than I can count. But less battle-scarred authors than I am do have that fear and it’s another form of silencing dissent to play on that fear.
I don’t mind the negative review (even if the volume of tweets at me and the running around to different sites commenting on every positive review is a bit much…). I knew Hunger Moon would be controversial. It’s too real and of the moment not to evoke strong emotion. But as any author can tell you, the best thing that could happen for me and this book would be to have it end up on the banned book list. You can’t buy that kind of controversy and attention. If some people react with anger, it means I’m doing my job.
And I know my readers well enough to know there are plenty of them who want to read this book EXACTLY as I wrote it. I’d go so far as to say that a lot of us NEED this book right now. We need to be able to work through our anger and terror and despair at the current political nightmare we’re living.
But the sobering thing about all this is that this reader is also a librarian.
Let that sink in.
Anyone has any right to hate the book. Anyone has the right to post negative reviews. But to say – and believe – “This book should never have been written”?
That’s advocating censorship. That’s authoritarianism.
Now, the hopeful thing is that I’ve (carefully at first) engaged this librarian in dialogue and she’s admitted that she’s enjoying the discussion. I do have a certain amount of empathy for the cognitive dissonance the book must have brought up for her. I can’t imagine how difficult it is to be an intelligent woman who is passionately against rape culture – and at the same time defends the sexual predator we have holding the White House hostage. That is a whole lot of mental conflict going on there.
The fact remains that she doesn’t like my politics, and she wants to shut that kind of thought down. Which is also politics. I don’t have sympathy for anyone who uses their power to unilaterally prevent other people from choosing what they read.
It’s not the only instance of censorship I’m facing this month, either. A college where I’ve taught my Screenwriting Tricks for Authors workshop for six years now has told me I’m no longer welcome unless I stop “bringing politics” to it (I wore an “Impeach Trump” tank top this year.) This is in Texas, where every year I go I am surrounded by a very particular, very aggressive, 24/7 political bias.
Again – authoritarianism. Silencing dissenting politics. If you can call words on a piece of fabric “politics.”
But that’s the power of words, isn’t it? A few words on a tank top can get someone banned from a supposed writing academy. Words are just that threatening. Just as threatening as kneeling during the National Anthem.
Needless to say, I won’t be going back to teach there without my politics, although I am sick about not being there any more to support the students who are too afraid to speak out because of that authoritarianism.
These forces have always been part of this country and the world. But all the simmering atavistic ugliness has boiled over because of the rise of this unrepentant racist, misogynist, authoritarian unpresident. The protests will continue. They have to continue.
And in Hunger Moon, I’ve written about just that. I’ve always written about rape culture. Now rape culture is being given free rein (and free reign) – by the unpresident, by the so-called Secretary of Education, by all-male committees making decisions about women’s health and reproductive rights, by the appointment of patriarchal judges. Many of my characters in the book are protesting, in vastly different ways. Others – have a different reaction.
The book is NOT easy. It is not perfect, either. I hope people will continue to find catharsis in it.
But if you’re looking for escapist entertainment, there’s plenty of it out there. You’re not going to find it here.
I am NOT writing for entertainment. I’m writing for my life.
“A book must be an ice axe to break the sea frozen inside us.”

– Franz Kafka
Alex

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On another note, but just as necessary to say – please join me in donating to help the people of Puerto Rico in this horrific time. There are a number of aid organizations listed here, and you can donate to the Red Cross here.
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About the book –

Out October 24, 2017 in print, ebook and audio. Pre-order here.

In the new book, Roarke and his FBI team are forced to confront the new political reality when they are pressured to investigate a series of mysterious threats vowing death to college rapists… while deep in the Arizona wilderness, mass killer Cara Lindstrom is fighting a life-and-death battle of her own.

For thousands of years, women have been prey.

No more.

Enter to win one of 100 print copies on Goodreads.

Hunger Moon is Book 5 of the Huntress/FBI series. The series is chronological and It is strongly recommended that you read the series in order, starting with Huntress Moon.

Via: Alexandra Sokoloff

    

DEAD ENDS: Stories from the Gothic South is on sale today!

By J.T. Ellison

For years, I’ve been telling people (new writers, especially) that while everything is derivative—there are only seven plots, after all—what makes their story distinctive is voice. The treatment a writer gives their novel or short story will always be unique unto them: their voice, their experiences, their vocabulary, their writing style, all will converge to make even the most tried-and-true plot trope unique.

Said more simply, if you give thirteen writers a photo and ask them to write a story, you’ll get thirteen completely different stories.

I’ve seen this happen when I teach. I like to use visual aids to help the writers in my classes, to give them a jumping-off point. A kick start. I think it’s a fun, stress-free way of starting a story. I show them a man, a woman, a setting. Something, anything, so they don’t have to conjure up a tale from total scratch.

I’ve been using this example for so long, and so often, that when I came across this photo in an article I was reading, I knew I had the perfect opportunity.

The House that inspired DEAD ENDS

I immediately wondered: What was his story? What was this place he stood before? What was the house to him?

With this evocative photo in hand, I approached my publisher and posited an idea: Let’s create an anthology of stories based on the house in the photo. I mean, why not put my money where my mouth is, right? I handpicked a group of writers whom I thought would do a great job at showcasing (and proving) my theory—that no two writers will approach the page the same way. We had only two requirements for them: that the house appear in the story in some way, and the theme of the story was Southern Gothic.

These talented writers did exactly what I thought they’d do—they created wildly diverse stories about, in, and mentioning the house that are in turns chilling, haunting, and downright scary. From writers going mad to demons inhabiting young girls; ancient caves to ancestral feuds; gardens of stone angels to evils seen and unseen—the stories you’re about to read cover the gamut of the best themes of Southern Gothic fiction.

They clearly had so much fun with it that I had to join in.

And so, I give you DEAD ENDS. My brilliant friends and I have cooked up thirteen original, never-before-published spooky tales for you to enjoy this Halloween season. I hope you enjoy reading them as much as we did writing them. But be sure to lock the doors and windows first… you never know what the road ahead might bring.

Get the ebook: $3.99


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Look at this picture. Tell me what you see…

The American South is rife with stories of a haunted past—especially its houses. In this eclectic and impressive collection, thirteen novelists were asked to build their tales around the photo of a dilapidated mansion. They were given two requirements—the house must appear in the story, and it should be a Southern Gothic tale. And they delivered.

From childish demons to a mad novelist, from the Mississippi delta to the Appalachians, this collection from emerging voices and New York Timesbestselling authors explores what happens when secrets that lie beneath the dust are disturbed—and our worst nightmares begin.

Darkness lurks behind every corner, especially dead ends.

Contributors Include:

  1. Jeff Abbott
  2. David Bell
  3. Laura Benedict
  4. Patti Callahan Henry
  5. Dana Chamblee Carpenter
  6. Paige Crutcher
  7. Helen Ellis
  8. J.T. Ellison
  9. Ariel Lawhon
  10. Lisa Morton
  11. Bryon Quertermous
  12. Amanda Stevens
  13. Dave White

Via: JT Ellison

    

Sunday Smatterings

By J.T. Ellison

Morning, y’all, and welcome to Sunday. How was your week? All is peachy keen at Chez Ellison. We just started the final project for our ten-year fixer-upper. Our master bath renovation should be done this Friday, and I’m telling you, after ten years I should write a home renovation thriller. I’ve certainly earned a PhD in home repair by now. 😑

In between the saws and hammers, I’m pounding away at THE BLOOD CABAL. When it comes to writing books, slow and steady wins the race, and I’m doing my part to knit the story together scene by scene. It’s not quick work by any means, but after doing this twenty times I know consistency will be rewarded.

This is always a helpful mantra:

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Here’s what happened on the Internets this week:

“Does It Spark Joy?” Is the Wrong Decluttering Question. I love this: we should be asking if our stuff fulfills a purpose (says the practical utilitarian).

I WAS ANASTASIA by Ariel Lawhon Galley Giveaway. I just finished this breathtaking book. Lucky me, I got an early copy. I WAS ANASTASIA doesn’t hit stores until March, but if the odds are ever in your favor you can get an early copy, too! (and trust me, you want one)

14 Book-Themed DIY Projects To Add Some Literary Flavor To Your Space. For the times you need a bookish weekend project. ✂

How To Stay Productive When Anxiety & Depression Feel Utterly Paralyzing. When we fall into the pit of overwhelm, actionable steps help us climb out. These are great, actionable steps to keep you on goal even when your body and mind don’t want to play ball.

21 Books Goodreads Users Are Damn Excited To Read This Fall. Once upon a Saturday, Buzzfeed put out this list (which includes LIE TO ME! 🎉) and I nearly fell on the floor. The end. Also, there are tons of good books for your TBR pile.

Government Almost Killed the Cocktail. So glad to see a good cocktail come back. Sláinte!

All About Gothic and DEAD ENDS, Too. My bestie, Laura Benedict, is a master of the Southern Gothic genre, and she breaks down its origins here, and talks a bit about the upcoming DEAD ENDS! (P.S. Laura’s story in DEAD ENDS, “Stone Angels,” is deliciously creepy and worth the price of admission alone)

Idris Elba Reads a Bedtime Story. This is rather awesome.


And closer to home:

Want to see the spooky photo that inspired DEAD ENDS? When I saw this picture, I had to ask my friends to write a story about it. You know what I learned? If you give 13 writers a photo and ask them to write a story, you’ll get 13 completely different (and awesome) stories.

Miss the LIE TO ME LiveSigning? Don’t worry—we recorded it for you! You can watch it at the link, or on my Facebook page. And if you’d like a signed book, there are still a few available.


That’s it from me! Happy official fall, blessed solstice, go enter Ariel’s galley giveaway, chug a pumpkin spice latte or two, and we’ll talk again soon.

xo,
J.T.

Via: JT Ellison

    

The Big Twist

By noreply@blogger.com (Alexandra Sokoloff)

The Big Twist is a highly prized commodity in Hollywood; done well it’s as close to a guaranteed script sale as you can get, and over and over has meant gonzo box office even in movies that would have been a hard sell otherwise (think THE CRYING GAME).

Book editors swear that a good ending is a good ending, twist or not, and I believe them, but I also believe a good twist can’t hurt, so that’s what we’re going to be talking about today.

STEALING HOLLYWOOD US print $12.99
STEALING HOLLYWOOD print, all countries




WRITING LOVE

Writing Love is a shorter version of the workbook, using examples from love stories, romantic suspense, and romantic comedy – available in e formats for just $2.99.
Smashwords (includes online viewing and pdf file)