Author Archives: Murderati


Murderati Rocks the Anthony Award Nominations

HUGE congratulations to our Murderati brethren nominated for an Anthony!!!

It’s humbling to work with such talent! Good luck to all of you, and all the nominees.

ANTHONY NOMINATIONS, Bouchercon 2007

BEST NOVEL:

ALL MORTAL FLESH, Julia Spencer-Fleming, St. Martins
THE DEAD HOUR, Denise Mina, Little Brown & Co.
KIDNAPPED, Jan Burke, Simon & Schuster
NO GOOD DEEDS, Laura Lippman, Harper
THE VIRGIN OF SMALL PLAINS, Nancy Pickard, Ballantine

BEST FIRST NOVEL

A FIELD OF DARKNESS, Cornelia Read, Mysterious Press
THE HARROWING, Alexandra Sokoloff, St. Martin’s

HOLMES ON THE RANGE, Steve Hockensmith, St. Martins
THE KING OF LIES, John Hart, St. Martin’s
STILL LIFE, Louise Penny, St. Martin’s

BEST PAPERBACK ORIGINAL

ASHES AND BONES, Dana Cameron, Avon
BABY SHARK, Robert Fate, Capital Crime Press
THE CLEANUP, Sean Doolittle, Dell
A DANGEROUS MAN, Charlie Huston, Ballantine
47 RULES OF HIGHLY EFFECTIVE BANK ROBBERS, Troy Cook, Capital Crime Press
SHOTGUN OPERA, Victor Gischler, Dell
SNAKESKIN SHAMISEN, Naomi Hirahara, Bantam Dell – Delta

BEST SHORT STORY

"After the Fall," Elaine Viets, Alfred Hitchcock Mag
"Cranked" Bill Crider, DAMN NEAR DEAD, Busted Flush Press
"The Lords of Misrule" Dana Cameron, SUGARPLUMS AND SCANDAL, Avon
"My Father’s Secret," Simon Wood, Crime Spree Magazine, Bcon Spec Issue ’06
"Policy" Megan Abbott, DAMN NEAR DEAD, Busted Flush Press
"Sleeping with the Plush" Toni Kelner, Alfred Hitchcock Mag

BEST CRITICAL NONFICTION

THE BEAUTIFUL CIGAR GIRL, Daniel Stashower, Dutton
DON’T MURDER YOUR MYSTERY, Chris Roerden, Bella Rosa Books
MYSTERY MUSES, Jim Huang/Austin Lugar, Editors, Crum Creek Press
READ ‘EM THEIR WRITES, Gary Warren Niebuhr, Libraries Unlimited
THE SCIENCE OF SHERLOCK HOLMES, E.J. Wagoner, John Wiley & Sons

SPECIAL SERVICES AWARD

Charles Ardal, Hard Case Crime
George Easter, Deadly Pleasures
Franchi & Sharon Wheeler, reviewingtheevidence.com
Jim Huang, Crum Creek Press and The Mystery Company
Jon & Ruth Jordan, CrimeSpree Magazine
Ali Karim, Shots Magazine
Lynn Kazmarik & Chris Aldrich, Mystery News
Maddy Van Hertbruggen, 4 Mystery Addicts

Wednesday, July 25, 2007 at 03:32 AM

by Robert Gregory Browne

Remember me?  The crazy guy on the freeway?  The one who promised to slow down?

I
have a confession to make.  Although I’ve slowed down in some respects —
I’ve temporarily retired my own blog, have carved out time every night
to read and have tried not to be in such a hurry to put the days and
weeks and months and years behind me —

— I haven’t slowed down on the
freeway. 

It’s a habit.  An addiction.  I like to drive fast.  And I
love to maneuver my rocket in a way that allows me to reach my
destination as quickly as possible.

So.

I’m on the road
the other day, headed toward a doctor’s appointment, and it suddenly
struck me how much driving the freeway is like plotting a story.

That’s right.  You heard me.  Just think about it:

You
have a goal.  You want to get somewhere.  Getting there is important to
you.  And even though you’re going in straight line, more or less, your
progress is constantly blocked by other drivers.

This, in turn, creates a series of smaller goals for you.  You
keep looking ahead, watching the road, seeking out the empty and free
flowing lane that will allow you quicker passage.  If you make it to
those smaller goals, one after another, then the overall goal — that
final destination — doesn’t seem quite as daunting.

Problem is, as you’re headed for that space in the traffic,
some idiot decides to change lanes right in front of you, forcing you
to hit the brakes or cut into a different lane.  So then you’re
thinking on your feet, changing your strategy as you go.

And, of course, there’s always one driver who seems to be in
just as much of a hurry as you are.  He may not be headed to exactly
the same place, but he’s in your way and his goal is get wherever he’s
going ahead of you.  The next thing you know you’re in a kind of race
with the guy and your emotions are rising, you’re beginning to hate the
sonofabitch so badly you want to bash his car with yours.

And the other characters around you either help you or hurt
you.  Some block your progress, while others kindly get out of your
way, making room for you to move.  There’s the lady on her cell phone
who’s paying more attention to her conversation than the road.  There’s
the GM truck with the ass so huge you can’t see past it, whose driver
has decided to go 50 MPH in the left lane.  There’s the old couple in
their motor home, and the gardener pulling a trailer full of rakes and
lawn mowers and leaf blowers.

The drivers around you begin to take on their own
personalities, some you like, some you hate.  And just when you think
you’re about to make it, everyone suddenly slows down.  There’s an
accident up ahead, or another idiot like you impeding the flow of
traffic, so as the clock continues to tick, road rage begins to set in
and you find yourself quickly reaching that good old boiling point.

But wait — there it is:  a gap in the traffic that leads to another free flowing lane.  And by god, that’s your exit up ahead!

With
a quick and decidedly clever maneuver, you just barely manage to cut
off the jerk you’ve been competing with and you’re on your way down
that ramp, headed for your final destination.

You’ve made it.  You’ve succeeded.  And while you may be a little rattled, all is good.

Helluva plot structure, eh?

Okay, okay, I know.   I’m a strange guy.  But these are the kinds of things I
think about when I’m driving.  And I’ve decided that if I base my
plots on my driving experiences, nobody will be able to put the damn
books down.

Letters Home


       Stampsus34cpostmarkfrankonmanilae_2

By Louise Ure

“Throw forty or fifty loose tampons into the box. That way, they won’t go through it.”


I first met Maya eighteen years ago, when she was seven. She was crying. She and her nine-year old brother, Brian, had been unceremoniously dumped at my house for the weekend. Their grandmother had taken ill in Louisiana, and their single mother had to return home to take care of her. They didn’t know anyone in San Francisco. And my husband had just hired their mother as a receptionist.


       Hotchocolate


Maya hated everything that weekend. The chilly temperature of my house. The lack of a cartoon channel on TV. The way I made hot chocolate. I thought we’d never make it to Sunday night.


“There’s no running water or electricity where I’m staying, but I do have a pump out in the yard, so I’m one of the lucky ones. Others have to walk two miles to the river to get water.”


Her world was alien to me. Wiry black hair while mine was straight, dishwater brown. Chocolate skin versus my winter-in-San Francisco vanilla. She had never seen a horse except on television. She lived in a basement apartment and could tell the weather by the shoes that filed past.


“They don’t believe I’m an American.They’ve never seen a black American before.”


After that first meeting, stayovers became routine. Their mother needed time to herself, and Bruce and I thought it was the perfect way to have kids: borrow them for the weekend. We spent our Saturdays and Sundays together for the next ten years.


       Scrabble_2


I taught Maya French and her brother Spanish. When we played Scrabble, I was only allowed to use words in English.

She usually slept until after noon, rising only when something on the stove smelled good or her brother sounded like he was having fun. She had the attention span of a flea, and was guaranteed to lose something on every visit.

“I had some kind of allergic reaction to the napia grass while we were planting trees today. A couple of Benedryls did the trick.”

I taught her to ride a horse – Western style, of course. We’d gallop right into the flocks of seagulls on the beach, her stick-legs flapping like stunted wings.


Ridinghorsesonbeach


No one was more surprised than I when she said she wanted to be a lawyer. Studied debate had never been the way Maya won arguments. She was a pouter, a thrower of chess pieces, a disengager.

“I’ve got the pedal powered generator set up now. With any luck I’ll be able to power up my cell phone and laptop for at least a few minutes at a time.”


She gave one of the keynote addresses at her college graduation. And there, at the podium, she introduced me as “my other mother.”


“Today, for the first time, I know why I’m here. And I’m making a difference.”

           Kenya5


Last year she decided that The Law could wait, and she signed up for the Peace Corps. She’s been in a small village in Kenya for a month now, tasked with educating woman barely younger than herself about AIDS and sexually transmitted diseases.

And we just got her first letters home.


“If you send me anything, be sure to draw crosses everywhere and write ‘Jesus Is Watching You’ all over the box. It’s no guarantee, but it’s less likely to be stolen that way.”


Travel well, Sweet Girl.

I’m no longer a religious person, but I’ll write “Jesus is Watching You” all over those boxes.

And I’ll mean every word of it.

          


LCU

TEXT MESS

Text_4 She sat, eyes glazed, clutching her cell phone like it was a bar of gold, little thumbs "click-clack-clicking" away.  I asked her again some question about old, dead white guys, maybe the Bolsheviks.  I might as well have been in another room.  Her eyes never wavered from the tiny screen.

She was one of my students, and she was a text message zombie.

I’m turning 35 in a few short months, still young by many people’s standards.  I should be hip to the whole text message thing.  But whenever I think about this new form of communication, I start morphing into OLD MAN MACLEAN. 

Old Man MacLean gets riled up when someone’s car cuts off his driveway.  Old Man MacLean wants to call the cops on the shrieking college bimbos, keeping him up with their party.  Old Man MacLean hates the rudeness that cell phones have created.

And Old Man MacLean is scared of the impact of text messaging on reading and writing skills.

Apparently, I’m not alone.  According to a report from an Irish Examination Text_3_2 Commission, "Text messaging, with its use of phonetic spelling and little or no punctuation, seems to pose a threat to traditional conventions in writing."  The report goes on to site a frequency in punctuation and grammar errors among 15-year olds who participated in the study.  The same teens were also "unduly reliant on short sentences, simple tenses and a limited vocabulary" (Reuters 2007).

I’m no Luddite, throwing my body into the cogs of technology.  I realize new mediums often add to the existing language rather than destroying it.   In fact, without the personal computer, I wonder if I would’ve ever become a writer (and oh what a loss that would’ve been for the dozens of you that have read my work).  But time and time again, I’ve looked at my students’ schoolwork and found the letter "U" standing in for "YOU."  One student even drew an arrow pointing upwards instead of writing the word "Up" (It’s a friggin’ "U" and a "P."  Come on, how hard is that?).

Now, I’ve got some wonderful students.  They’re bright, intuitive, and (hopefully after our school is done with them) well read.  But I’m still worried.


Text_2_2 It takes effort to enjoy a book.  The better the book, the more that effort pays off.  Will a generation too busy to write the word "you" take time to read a novel just for fun?  Will well-crafted, descriptive language be replaced by long matrix strings of BFF’s, P911’s, and F2T’s?

Or am I just being OMM–Old Man MacLean?

So what do you think Murder fans?  Anyone out there share my concerns?  What impact will texting have on language and literature?   

RIP… not

I suppose everyone’s expecting me to download about ThrillerFest today. And I’d love to, really. I’m sure I will, maybe next week. But this is the truth. How I spent my Thrillerfest was – in mourning.

A very great friend of mine died suddenly the day before TF. I can’t say it was totally unexpected. I can say it was totally devastating.

I did all my Thrillerfest things, and it was indescribably wonderful, as last year, but at the same time, I was somewhere else, somewhere halfway beween life and death, because I do think a door opens in the cosmos when someone you love dies. I so understand why they cover mirrors in the Jewish mourning tradition. For a week or so, the door is wide open, and it’s seductive, the other side. It seems so much more real than reality.

I’d known Q since college – he didn’t go to Berkeley with the rest of my posse but he was part of that extended, incestuous, amorphous, theatrical, Renaissance Faire group we had.

I really started to know him when I moved down to LA.

Q was always, always, outside the box. On and off a professional stage actor, more regularly a fine art photographer, but more encompassingly – he was a master of the art of living. And I mean, Living.

When I think of Q I remember a dashing man brandishing one of those long screen idol ivory cigarette holders – dazzling in an antique red silk smoking jacket – and nothing on underneath.

I remember his gleaming powder blue Packard (“the Paquahhhrd”, we called it) – which was our Cinderella’s carriage to the wildest Hollywood clubs. We could fit a dozen people into that fabulous car, all decked in our thrift store confections and on fire with our youth and imaginations… and when we stopped at traffic lights people on the street would literally throw themselves onto the car and kiss the hood, it was that lovely.

I remember the pool parties in which Q would dress in whatever elaborate theme costume fit the party specifications – then shed all to swim – then return from his shower in a silk slip. He was rampantly heterosexual but there’s no way around it – he looked ravishing in a slip.

I remember the Bickle… that would be short for Cubicle – or Q-Bickle: a completely enclosed, luscious bed that he built into the wall of his living room that was the best night’s sleep I’ve ever slept – and the wildest party I’ve ever been to (which is saying a lot) – and the best dreams I’ve ever dreamed. Practically everyone I know has slept – or not slept – in the Bickle in various combinations, over and over again, and all of that amazing magical energy is there every time anyone sleeps in it. It is extra-dimensional. One windy, witchy night I and six of my best women friends collapsed into the Bickle after, well, enhancements, and laughed ourselves sick for hours and hours, telling stories and playing with each other’s hair, while our boyfriends and husbands sat around the pool drinking and gritting their teeth at each new wave of laughter from all of us female types below and pretending they were having just as good a time as we were.

It wasn’t all decadence. I often spent the night – um, wherever – after a party and then got up early in the morning to find Q already dressed and caffeinated, and we’d hike with the dogs up Runyon Canyon to the grounds of the Errol Flynn estate and we’d sit and watch LA waking up. He could talk about any and everything – I loved his mind.

And oh, he could dance. Not cotillion-style partner dancing, mind you, and definitely not for the faint of heart – I mean, you could start a dance with Q in a tango clinch, complete with rose in teeth, and end up rolling around on the floor like Martha Graham at her most dramatically modern, but it was unforgettable, for you and for everyone watching. It was art.

That was what Q was. Art.

Coyote, Trickster, Loki, The Fool.

There are some people who just open that door – to creativity, to possibility, to chance.

I’m blessed to have had such a teacher and friend.

– Alex

St. Francis’s Fire

There have been many roundups of the past weekend’s festivities in New York, so I’m not going to rehash the event. It was all that, and then some, let me assure you.

Instead, I’m going to wax poetic about friends. And Toni Causey is going to give you her feelings.

JT: I was struck by a phenomenon over the weekend. Because of the size of the hotel, the allure of the city, and the panel scheduling, many people found themselves out and about, wandering the halls, slipping into Grand Central to have a bite to eat, running across the street to the fabulous diner that serves brunch all day. And in these broken up groups, a strange thing happened. I’m going to refer to this phenomenon as St. Francis’s Fire.

For those who don’t know, St. Francis is the patron saint of writers and authors. I love how the church makes a distinction, but it’s simply to designate journalists versus book authors. I’ve called on him from time to time to help with blocks, or to say thanks when something goes especially well.

Show of hands, how many of you have seen the movie St. Elmo’s Fire? I saw it Tuesday night, late on TBS, and was struck by the similarities to our group of writers. The allegory fits Killer Year especially. This weekend marked the first time our merry band of debuts were all under the same roof. (We were minus one, but that’s still an accomplishment in this day and age.) As I watched the movie, I was reminded of our past year. In the movie, the characters have all just graduated from Georgetown. Some are finding great success, some are finding it not as easy as they anticipated. A fitting description of what the debut year is like. There are huge highs (starred reviews, second printings, general consensus that the writers will go on to something great) and lows (PR failures, problems with mailing, and yes, even mutterings of favoritism.) But all in all, a success.

Most importantly, we have each other. A cohort group of authors who started together. We were 22 2007 debut authors strong at this conference, 12 of us Killer Year. We were honored at a breakfast on Friday morning, each allocated time, introduced by the ever gracious Lee Child. We know each other. We’ll support each other. But it wasn’t just the debuts.

In New York, Killer Year drifted together. Not surprising, we’re intimates at this point. What I found so wonderful was how many people drifted right along with us. In the bar, in the hallways, there were loads of other writers and readers who stepped in to the flow, got caught up in the camaraderie of the event, smiled and laughed and enjoyed themselves. The future was there, the books that come out in 2008, the writers shopping manuscripts, looking for agents. Old, young, established, debut, reviewers, writers, readers, the media, all worked in harmony. The bar staff, on the other hand, hated us.

I didn’t see the genre specific clans that sometimes pervades these cons. There was a strong feeling of togetherness. In the bar, in the halls, arms were opened, chairs drawn up. Every small group opened to allow more people in. There was a true sense of friendship among all the writers there. St. Francis’s Fire. And that’s what’s going to serve us all well as we combat the perception that crime fiction and thrillers are just junky beach reads. The collective wisdom in the Grand Hyatt was stunning, and New York noticed.

So let’s see what our guest blogger Toni McGee Causey thought.

Toni: There’s something inherently intimidating about walking into any sort of convention where several hundred people are attending and you won’t know if you’ll know anyone or be welcomed. There’s something amazingly comforting to know that you’ve made friends the last time and there will be smiles and recognition and welcome and hugs. The thing I found, though, that set this convention apart from any other I’ve attended was that the "welcoming factor" happened last year, the first time we met in Phoenix, and that warmth and friendliness just seemed to be amplified this year. Old friends (of course) met up and there were some pretty enthusiastic smiles and hugs. But I was also so pleased to see that a tremendous number of people introduced themselves to someone new and I’m so glad to have met so many new people myself. Many pulled back chairs, as J.T. said, finding a way to include anyone who wandered over. All weekend long, there was an attitude of "hey, we’re hanging out, come on over, you’re wanted."

I think it’s the best thing we can do for each other, as authors, this inclusion. I felt like, as a unit, we were recognizing that our competition isn’t each other–it’s apathy and other media options.

We win the battle when we convince people to pick up a book when they’re confronted with so many other choices; we have a real victory if that enthusiasm spreads and more people start turning to books as their first option. I know that having a fun weekend isn’t going to solve the declining readership problem, but I’ll tell you this–I came away from there having met some amazing people and I’ve already been by a Barnes & Noble and have picked up several new-to-me authors that I wouldn’t have known to get. I either heard them speak or heard someone speak highly about their work. I’m the kind of reader who’ll tell people when I’ve loved something… and I know that I’m already looking forward to next year.

Wine of the Week: (Tasted in New York) Caymus Napa Valley Cabernet

EPIC TALE

Forget Lord of the Rings, the Chronicles of Narnia, Star Wars and Clifford the Big Red Dog.  This is a real epic story.

Except, I’m not sure where to start.  The beginning would be a good place, but this tale has so many beginnings and even more bad endings.  I suppose the problem is that there are so many themes going on here—stick-with-it-ness, bad luck, determination, dealing with setbacks, and never accepting no as an answer just to name a few.  I think there may even be an ancient code left behind by a renaissance painter, but I could be wrong.  Anyhoo, there’s a lot going on here, so sit back and prepare to be dazzled.

In February 2000, I completed a book called We All Fall Down.  It was a suspense thriller based on a couple of news items that I smooshed them together.  I didn’t have a track record at the time in publishing, so I went from agents and editors collecting rejection letters with some aplomb.  Then I struck gold in October 2001 when a small press publisher picked up the book.  Yahoo, I was going to get published.  Small presses are delicate creatures and vulnerable.  Things looked fine at the beginning, but I’d arrived to the party late.  Cash flow was drying up.  Delays ensued.  The book slipped from a 2003 release date to 2004 and that wasn’t certain.  The release was dependent on a number of factors outside of my control.  I could feel my story going cold on the shelf.  In late 2003, I made a decision that left me sick to my stomach.  I asked to be released from my contract.  The publisher hadn’t published a book in a year and mine was still pending.  It was the right thing to do, but it felt like suicide.  I had a book contract and I killed it.  What an idiot!?!

The decision hurt and to be quite honest, it left me depressed.  It was my fault.  My mess.  A waste of two years of my life and the book’s life.  My funk was reinforced when I tried to resell the book.  I came up against a wall.  Suddenly, after 9/11, the book was in bad taste.  I wrote how easy it would be to launch a major terrorist attack if someone had the audacity.  Then one happened.  It looked as if I was trying to follow a trend, instead of foreseeing one.

I don’t like the idea of practice books—manuscripts the writer has no intention of selling.  Every book is a practice book.  I learn from every word I write.  But I was coming to the conclusion that We All Fall Down would become a practice book and I would have to consign it to trunk status.  But then a miracle happened.  I met another small press in the spring of 2003.  I approached them on a whim at the beginning of 2004.  They loved We All Fall Down and paid me an advance.  Lots of good things were happening with them that gave me confidence that this was a winner.  I felt like a winner.  My confidence returned.  My decision to walk away from my original publisher was validated. 

Cover art was commissioned.  Editing began.  A schedule for release was outlined.  Then progress slipped.  The timeline took on a Daliesque quality.  The May release became September, then ’05.  All the signs were there that this publisher was going through a familiar crash and burn.  It got to the stage where I had to ask point-blank, “is this book ever going to be published?”  After some squirming I received an honest answer.  No, the book wouldn’t be coming out. 

I couldn’t believe it.  It was now 2005 and the book was dead in the water again almost six years after I had begun the first draft.  My familiar funk returned.  I kept on writing other things, of course, but We All Fall Down kept dragging me down.  It was a damn albatross driving me onto the rocks.  I’d pretty much given up hope on the book, but things were changing.  Luck was being kind to me.  I’d sold Working Stiffs, so I dusted off We All Fall Down and sent it out to yet another small press publisher who’d expressed an interest in reading something.  Around Christmas 2005, they asked to publish it.  Finally, the book was going to be coming out, but before the contract could even be signed a scandal hit the publisher.  Accusations flew around.  The publisher’s rep was toast and the publisher’s elastic publishing schedule was going to stretch even more.  The writing was on the wall yet again.  The book was dead.  Even if they published the book, it would be tarnished by their bad rep.

It’s easy to say, I was pissed off with the whole affair.  It’s bloody hard to sell a book these days and to sell it three times and never have it see the light of day is cruel and unusual punishment of the most twisted kind.  The publishing gods were just being mean at this point.

But I’ve been riding a wave of good fortune to make up for a number of disappointments over the last few years.  Getting picked up by Dorchester has opened a number of doors for me.  I feel some real traction at the moment.  I’m moving forward towards my goals.  If I’m moving forward why can’t We All Fall Down come with me?  I dusted the manuscript off and looked at it.  It’s now seven years old and it looks it.  The prose is a little flaky at the corners.  The plot is sun bleached. There’s something stuck to one of the characters and it’s gone green.  If I put it on the high seas, it’d sink.  But underneath the dirt and grime, there’s a good story underneath.  It’s going to take a lot of work to get it looking new, fast and sleek, but it’s doable.  I talked to Dorchester about it.  And God love ‘em, they said yes.  We All Fall Down will appear in mass paperback next July.  It won’t look like anything like the manuscript I started work on in ’99–characters, places and motives are different, but its essence and spirit remain.

A happy ending at last.  This story is a testament to many things—belief being the prime one.  I never stopped believing in the story.  I can be flippant, but my stories mean a lot to me.  I had a man down and I wasn’t leaving my soldier behind.  Finally, I’ve brought him home.

Mission accomplished (for now),
Simon Wood
PS: The lovely Dave Zeltserman stands in for me while I’m away at Comic-Con.  Dave has a great compansion piece to this week’s entry.  The week after Robin Burcell with a few things to say.
PPS: In addition to finalizing contracts with Dorchester, I’ve swapped ink with Adams Media to write a humorous self-help book.

New York, Yew Nork, You Gotta Choose One

1833_large_6
 

by J.D. Rhoades

Yeah, New York…

It was an
adult portion. It was an adult dose. So it took a couple of trips to get into
it. You just go in the first time and you get your ass kicked and you take off.
As soon as it heals up, you come back and you try it again. Eventually, you
fall right in love with it.

-Levon Helm, The Last
Waltz

 Well, maybe I’m just lucky. Or I’m a fast learner, although
there are quite a few people, including my wife, who’d dispute that. But I did
not get my ass kicked by New York at Thrillerfest. Nor did I fall right in love with it. What it was more like
was a really awesome first date, and you know you’re going to call for another
one, but there’s a little hesitation because this girl is  different from anyone you’ve dated before.

I’ve been to a number of cities promoting my books: Boston, Chicago, Houston, Omaha, even Boise, and they’ve all
surprised me each in their own way. I’d
never made it to New York,
though. Odd, because that’s where my agent and publisher are. But I confess, I
had engaged in a bit of snobbery regarding the Big Apple. I tended to roll my
eyes whenever someone started waxing lyrical about the place (See “City, Sex in
the”). Oh, please, I thought. It’s too
crowded. It’s dirty. It’s hellishly expensive, and the people are all jerks.

Well, yes. But then again, no. Crowded? Yep. Expensive? Oh
God, yes. Dirty? Well, I don’t know that I’ll ever get used to walking past
garbage bags stacked higher than my head in a pile that runs for twenty
feet down the sidewalk, a sight which I saw many times. But other than that, the place was clean
enough. I’ve seen worse in South Carolina. And the people were very cool, beginning with the guy at the airport
who stopped ranting about his late ride long enough to chat about his
restaurant in Long Island, right through to the people who didn’t bat an eye
when a crowd of laughing lunatics took over half of their tiny karaoke bar at 2
o’clock in the morning. 

Plus,  there’s
something about the place that sucks you in, that draws you out into the street
to see what’s going on. And  there’s
always something going on. I spent a goodly portion of the trip just "gone
walkabout," ambling through the streets, from the historic Flatiron Building to
the Empire State, to the Temple of the Book (aka the amazing New York Public
Library) to the capital of deliriously tacky sensory overload, namely Times
Square. And that wasn’t half of the stuff I wanted to see. 

And let me tell you…if I wasn’t careful, I could
ruin my health in New York in pretty short order. City that doesn’t sleep? It barely slows down. We’re
talking maybe eight hours of sleep total over three days.

So yeah. An adult portion indeed. (And thanks to Chris
Everheart for the quote). I’ll definitely be back. Because the last time I had
a first date that awesome, I married her. 

So, Murderati, Hellions, Thrillerfest Attendees, Friends,
Romans, countrymen…what’s your take on the Big Apple?

The Happy Post

By Ken Bruen

  Gunshotsmileyface

I did promise a happy post and by god, this is it ……….. so get ready

I’ve just returned from LA ………… great line that ….. as if I kinda hopped over there every week

I know you believe that

Long flight, eleven hours and change and that’s from Dublin, I’d already flown from Galway in the wee hours but ………. ok, this is a happy post and there will be no bad vibes

Finally get through all the security and immigration, take me seat and the woman sitting next to me, gives me the look

“Uh oh”

She goes

“I asked for the aisle seat”

She’s in the window, as if you haven’t guessed, and I offer her my seat, the obviously coveted aisle job and she goes

“And have you resenting me for 11 hours ………… no thank you Mister.”

We didn’t talk a whole lot after that save when they didn’t bring her Vegetarian meal and I wisely keep me mouth shut, let the airline deal with it

The devil is in me to tell her……….it’s AIRLINE FOOD……….it all tastes the same, and when people tell me they reserved their special meal three months before, I’m going to fess up and say

“Jesus wept”

I watch Zodiac purely for Robert Downey Jnr………..God, what a talent

Here’s the really happy bit………..we get to LAX………….my veggie friend doesn’t say goodbye or such but you know, fookit

A limo waiting……………is there a writer on God’s earth doesn’t want to arrive in LA and have a stretch limo waiting…………….just once

I’m both delighted and mortified, I ask the driver if I can sit up front and he gives me the look

The back it is

I try to sneak in, I know it’s LA……like anyone gives a toss

I’m staying in Beverly Hills and yes, for me……….add Hillbilly

Huge room with a balcony

I’m but a bad book review from Rodeo Drive

First night, I go to a party in Laurel Canyon and no shite but everybody is

Scriptwriter

Actor

Director

Nobody is a mere book writer

And everybody is gorgeous……….honest to God, I dunno if it’s all NIP AND TUCK or

whatever but Jesus, it worked

A stunning young girl tells me

“I just like, love your accent.”

See, looks aren’t everything

Next day

I meet with Brad, the producer for Blitz. I’ve waited a lot of years to use that sentence.

We have lunch outside on Sunset Boulevard and my jaw drops every few minutes as some star strolls by. I have shades on…….see, I’d gone Hollywood in 24 hours and  speaking of……..Keifer stops by as Brad cast him in Freeway, I’m introduced and cool, I say

“Good to see you.”

Fook, did I really say that

Alas

Brad produced Monster and I’ve a million things to ask about that but I pick up the menu, ask

“What’s good here?”

I so badly want to name drop others who stopped by but how awful would that be

Skip to the chase and the show, we tape at 4.30 and it’s all done and wrapped in jig time,

I can’t get me head around the fact I’m wearing a tie

I did remove the shades

Briefly

In the car, am……….limo…….after, I try to recall a single word I said and all I can remember is Craig Ferguson giving me a hug

Saturday, we hit the bookshops and the Independents as usual are just so welcoming and friendly

I’m signing books and realize, I love this, this is the icing on the cake

Sunday, drove up the Pacific Coast Highway and for once, I’m lost for words, I briefly wonder what it would be like to live here, would I produce work full of sunshine and light

I doubt it

But the wind and the rain and the dark, it’s what I know, it never once occurred to me to ask

“Do you like it?”

It’s my terrain

All too soon, I’m back on a plane, aisle seat of course and guess what’s showing

Zodiac

I watch the completely hilarious Will Ferrell’s “Blades of Glory

I’m laughing out loud and this might be the nearest to happy I get

I’m not complaining

Back in Dublin, you guessed it, it’s raining and cold and what the hell, I slip my shades on, live the dream another little while


K.B.

Jock_Hutchinson

Dear Murderati readers:

I am so pleased to have Michelle Gagnon as my guest today. If you haven’t had a chance to meet this engaging new author, I suggest stopping by one of her signings or making a special trip to a conference where she’s appearing. Not only is her work magnificent, her enthusiasm and energy is like a double shot of espresso injected directly into a vein. Michelle is a fellow Mira author, one of the new breed of young thriller writers that make up this year’s list. Her debut, THE TUNNELS, is available now. Without further ado, may I present… Michelle Gagnon!

 

MISADVENTURES OF A DRIVE-BY SIGNER

Or

MY KINGDOM FOR A GPS

“What
are you doing?”

“Signing.”
I said, raising my pen from the title page.

The
clerk yanked the book away from me, incensed. “Is this a store copy? You’re,
like, going to have to buy this now, you know.”

I
tried not to get defensive, maintaining a sweet tone as I answered, “But I
wrote it. I already have a copy. Several, in fact.”

It was my fifth bookstore of the
day, and in all fairness to the young man standing before me, I probably should
have waited before whipping out my pen. But I was fried. Navigating through a
sea of Massachusetts drivers in ninety degree heat had shot my nerves, and
honestly, not a single store out of the twenty-odd ones I’d visited so far had
said No thank you, we don’t want you to
sign your book
. Initially, in fact, it was an extremely pleasant experience.
I got a glimpse of life if not as an A-list, then certainly a C- or D-list
celebrity, the temporary queen of whichever mall I happened to be standing in.
Particularly in my home state, Rhode Island, I was almost always the first
author any of the staff had ever met in person. Some of them bought my book on
the spot so that I could personalize it for them, which was tremendously
validating.

But here, in a suburb of Boston
that shall remain nameless, I was forced by a surly teenager to shell out seven
bucks for my own “defaced” book , then slink back to my sweltering car under
the watchful eyes of mall security.

So goes the “Drive-by Signing
Tour.” It sounds far more glamorous than it is, the words “drive-by” adding a
hint of danger to an otherwise mundane experience. On a drive-by signing tour
you hit as many bookstores as possible in one day, signing every copy of your
book in range. Feeling inspired by J.A. Konrath’s marketing tips blog (which is
chock full of good advice,) I outlined a fairly ambitious schedule for myself.
On the East Coast, I’d hit all the bookstores in Manhattan and Rhode Island, and
as many as possible in Boston and its environs. Then once I returned to
California, I’d divide a regional map into sectors, and would target a sector a
day until I’d covered a swath of several hundred miles in each direction.
Sounds easy, right?

I’m just over three weeks in, and
I’m losing my mind. There were a few things I never factored into my
calculations:

Thing 1: I
have absolutely no sense of direction. Seriously, it’s embarrassing. I get
hopelessly lost in cities I’ve lived in for years. When I read the story of
that poor family that turned down the wrong road in Oregon and almost all
perished, I decided to never, ever drive in Oregon, because if I could manage
to get lost on a weekly basis in Manhattan (the upper section, where it’s a
grid—I don’t honestly know how anyone finds their way around lower Manhattan),
I’m a goner in anything approaching wilderness. The last time I went camping, I
took a wrong turn out of the restroom twenty feet from my tent, wandered off
into the woods, and had to be rescued by park rangers. Sad, but true. So you
can imagine how well I’m doing now, driving all over god’s green earth trying
to find a bookstore in a haystack. Even with the GPS system we borrowed from a
friend to navigate around Boston, my husband and I got lost and ended up in South
Boston when we meant to go downtown. And I’m not talking about the Good-Will-Hunting-blue-collar-South
Boston, either; this South Boston was far more reminiscent of Boyz in the Hood, with angry looking
young men glaring from porches as we drove past, windows rolled up, my husband
gritting his teeth as he said, “God Damn it, I told you we should have brought
a map.”

Thing 2:
J.A. Konrath apparently hits something like a hundred stores a day. I might be
exaggerating that number slightly, but seriously, the man must be a machine.
The most I ever managed was eight, and that’s counting the one where I was
forced to slink away. Lately I’ve limited myself to a far more manageable three
or four stores a day. It means I’ve had to scale back my plans considerably,
but I’ve become convinced it’s worth it to salvage my remaining shreds of
sanity. Because here’s how the day generally goes:

After a
considerable amount of driving, terrifying/angering those sharing the road with
me while I berate the gods of Yahoo and Google Maps, who snidely tell you to
“proceed from the parking lot 3.5 miles toward Avenue X” without giving you any
clear indication of whether you should take a right or a left out of said
parking lot, (Seriously, has anyone else tried to use these directions? Half
the time you’re sent 3 miles out of the way, and you realize in the end all you
had to do was take a right and drive 100 yards. Maddening…) I arrive at the
store. The next goal is to find every copy of my book, which also sounds much,
much easier than it is in actuality. At one store I had four staff members
searching high and low for forty minutes before ten copies were found in the
Cooking Section. Another time I found them filed under “M,” as in “Michelle,”
apparently because someone decided they’d be just as easy to locate under my
first name as my last. Once I’ve found the books, which can take anywhere from
five minutes to an hour, I bring the copies to the information desk if there is
one, or to the register is it isn’t.

Then begins the exciting game I like to
refer to as, “Find the ‘autographed copy’ stickers.” This involves an
increasingly irritated staff member digging through bales of stickers ten deep,
so many stickers that you wonder why they’re not smothering the covers of ever
book in the store. Attempts to offer my own stickers are generally summarily
rejected. After the books are signed and stickered, I offer to replace them in
the shelves…if I’m lucky, they say yes, and then I proceed to re-stock them in
more visible locations throughout the store. And then it’s back on the road, where
I dig through a sea of shredded power bar wrappers, muttering angrily that Lee
Child probably doesn’t have to go through this, before giving up and tearing
across three lanes of traffic to the Taco Bell drive-thru.

Yes, it’s glamorous indeed.
The next time you happen to notice a “Autographed Copy” sticker gracing the
cover of a book on a shelf, take a moment to pause and reflect on how that
signature arrived there, and feel a moment of compassion for the crazed writer
who at that very moment is probably weaving away from an 18 wheeler, clenching
a crushed map over the steering wheel, praying for a GPS system to materialize
on her dashboard.

———————————–

After graduating with honors from Wesleyan University, Michelle
Gagnon spent five years performing as a modern dancer, modeling,
tending bar, working in a Russian supper club, and walking dogs in
Manhattan. Lured to the West Coast by the promise of halcyon days, she
composed web content during the fleeting dotcom boom. In the aftermath
she survived by founding Infinity Personal Training, specializing in
prenatal and postpartum exercise. She also found a niche writing
health, lifestyle, and travel articles for a variety of publications
such as Glamour, CondeNast Traveler, San Francisco Magazine, and Yoga
Journal.

Michelle is a member of Sisters In Crime, Mystery Writers of America, and International Thriller Writers.